Gazzy Garcia (Lil Pump) Quotes
Quotes to Explore
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To take a few nouns, and a few pronouns, and adverbs and adjectives, and put them together, ball them up, and throw them against the wall to make them bounce. That's what Norman Mailer did. That's what James Baldwin did, and Joan Didion did, and that's what I do - that's what I mean to do.
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And what you need ironically. Will turn out what you want to be. If you just let it.
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Either this wallpaper goes, or I do.
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Whatever I do is out of love.
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My talent is I understand what I want.
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There isn't a switch that I turn on. I'm an actor. This is what I do.
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What happened to the good old days of "Woman as passive recipient?" What happened to being courted? What happened to sitting back under a parasol and granting someone a chance to try to win us over?
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It is not simply what one remembers, but why. There are sites of amputation where the past is severed from the body of the present. Remembering only encourages the growth of phantom limbs. And it is not simply what one remembers, or why, but what to do with what one remembers, which of the scattered pieces to carry forward, what to protect and preserve, what to leave behind.
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This is the problem with stories. Stories always mean something. The question is ... What exactly do they mean?
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Be suspicious of what you want.
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I would lie, because no one would know me anyway. My grandmother convinced me to be proud of what I do.
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It may be more important in the mathematics class how you teach than what you teach.
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Anything I do, I always have a reason for.
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It's less about what you do and more about who you are doing it with.
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I could do whatever I wanted, whether people liked it or not.
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A lot of people say you've got all the loving in the world when you walk out on stage. But hell, that applause don't help you any when you're lying in that bed at night being totally ignored.
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It is perhaps common in the world for individuals and nations to suffer for their noble qualities more than for their ignoble ones. For nobility is an occasion for pride, the most treacherous of sentiments.
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When you get to work with great people like on our movie, Blake and Ellen Burstyn and Harrison and Kathy Baker, Amanda Crew, the first minute or two it's like, 'Oh my God, I'm working with you,or Harrison,' people you've admired for so long, after like five minutes you realize we're all trying to do the same thing, we all have a passion for telling good stories and we're going to try to make the story the best possible.
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You only get to keep what you give away.
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It was a performance that had been coming for a while and it does not shock me all that much. When the pressure came on we produced the goods and we can take great satisfaction from that.
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We are all living in cages with the door wide open.
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I just do what I do.
