Edmond Jabes Quotes
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
Quotes to Explore
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I am not an autobiographical writer.
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I get nervous before openings or premieres or when someone's reading a new script, and I get nervous when my daughter isn't in my immediate field of vision.
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I wasn't really comfortable reading until I was 12.
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People have told me that they cannot put down 'If I Stay' after reading it, and readers have become very invested in the love story between Adam and Mia.
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I always knew I wanted to be a writer. I just wasn't sure what I wanted to do as a money-making job.
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Usually, the first thing I do when I wake up is I start working, so I often won't start the day by reading anything because I like to minimize my 'commute' as much as possible. I wake up, open my laptop and start working in bed.
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When you're first reading the script and thinking about playing the part, it's slightly daunting. It's easy to question, 'Is an audience going to like me? And is that my job?'
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If you write any kind of fiction about America, you immediately have to start doing some research about guns, so in some ways, 'Gun Machine' is just the culmination of 20 years of reading about guns.
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My personal hobbies are reading, listening to music, and silence.
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Back when I was growing up, getting caught with a copy of 'Creepy,' 'Eerie' or 'Vampirella' was almost as bad as your parents finding out you were reading 'Playboy.'
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At 20 and 30, we are like travelers in a foreign country, reading the guide book to learn how to behave, to learn when the post office is open. Trivia looms important; critical issues fade into a pastel background, unrecognized.
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I imagined being a famous writer would be like being like Jane Austen.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
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Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.
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I think when I was 12, I started reading Evelyn Waugh, and I loved Evelyn Waugh so much, and I thought: 'This is how the world really is. If I could be Evelyn Waugh, then I would be happy.'
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When somebody asks what I do, I guess I say 'writer' first.
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Probably induced by the asthma, I started reading and writing early on, my literary efforts from the age of about nine running chiefly to poetry and plays.
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Reading 'Moby-Dick' helps you discover how to live.
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I hate it when I'm reading a comic, and the dialogue looks like stickers stuck on top to explain what's going on. For me the best is when your eye goes in a certain point and moves through the composition and then springs out on the dialogue, or gets confused in the image and then goes to the dialogue for an explanation.
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Just reading about the various opinions concerning the conduct of the recent championship matches convinces me that the only thing to which two chessplayers could agree is that a third one is over-rated.
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I'm not going to get in to an argument with anyone about the relative merits of Judaism and Christianity, and what it means for a Jewish kid to be a Christian - I'm just not interested in that argument.
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And not to mean that I think I'm some special person, but I think we're all here for a very specific reason and once you figure out what that is then you're on the right track and we're all on the ride together.
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I know all about love that's too big to stay in a tiny bucket. Splashing out all over the place in the most embarrassing way possible.
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THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
