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Intellect stood aside and informed him of this fact.
Edmund Crispin
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THE majority of us are permitted to cope with the important events of our lives in a decently leisurely manner – with ample breathing-space, that is to say, in which to assimilate one shock and recuperate before the next.
Edmund Crispin
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A nomadic chicken was pacing across the street.
Edmund Crispin
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At the north-eastern angle is the chapel, an uncommonly hideous relic of late Victorian times.
Edmund Crispin
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A science fiction story is one which presupposes a technology, or an effect of technology, or a disturbance in the natural order, such as humanity, up to the time of writing, has not in actual fact, experienced.
Edmund Crispin
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The afternoon wore away.
Edmund Crispin
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The square panes of the small windows were grimy and misanthropic.
Edmund Crispin
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To its left stood a transistor radio, which was emitting and indeed had been emitting for some considerable time, a symphonic movement of vaguely romantic cast; from the movement’s excessive length, vacuity and derivativeness, Fen judged it to be by Mahler.
Edmund Crispin
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A Johnsonian portentousness emanated from him.
Edmund Crispin
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His reverie merged discouragingly into the austere reality of the classroom.
Edmund Crispin
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What's more, I don't believe any policeman uses words like "antonym". I don't believe you're a policeman at all.
Edmund Crispin
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And everywhere there were parents – parents mouse-like, parents aggressive, parents ostentatious, parents modest, parents subdued, parents animated: a growing rout lured together under the radiant porcelain sky – and for what? the headmaster wondered. It was improbable that they enjoyed themselves. It was improbable, even, that their offspring enjoyed themselves. And yet there was a glamour about it all which stirred the blood, and the headmaster himself, as he contemplated the spectacle, was not immune.
Edmund Crispin
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As the popularity of science-fiction increases, so inevitably does the volume of clownish imprecation against it.
Edmund Crispin
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Boys wandered about in a condition of unnatural civility.
Edmund Crispin
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Simblefield, whose ability to camouflage his ignorance was held in well-justified contempt by the rest of the form.
Edmund Crispin
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The artistic temperament is too often only an alibi for lack of responsibility....
Edmund Crispin
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The parents are of the expensive, cocktail-party-and-chromium kind.
Edmund Crispin
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Their squalor, being indescribable, will not be described.
Edmund Crispin
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Heavens, how I detest change! I sometimes think that change, and change alone, is the source of all misery. No doubt Eden was quite static and lethargic.
Edmund Crispin
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At this rate, he felt, he might even live to see the day when novelists described their characters by some other device than that of manoeuvring them into examining themselves in mirrors.
Edmund Crispin
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None but the most blindly credulous will imaging the characters and events in this story to be anything but fictitious. It is true that the ancient and noble city of Oxford is, of all the towns of England, the likeliest progenitor of unlikely events and persons. But there are limits.
Edmund Crispin
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The masters, robed, gowned, their attitudes varying from indulgent ennui to virtual coma.
Edmund Crispin
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I believe that many of the boys have a lurking fear that their parents will disgrace them in some fashion.
Edmund Crispin
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Meaningless piety, she knew – but to be always meaningful makes a cold world.
Edmund Crispin
