Brad Furman Quotes
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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I made my first movie when I was five.
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I'm the worst at picking what movies are going to do well. I have no idea. I'm really surprised if a movie I like does well.
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When people say hello to me, I feel like maybe I know them from somewhere, because they say, like, 'Hi! How are you?' And I'm like, 'Oh, hi!' And then I realize, 'Oh, no, they just think they know me because they watched me in a movie.' Which is cool, but definitely not a normal thing.
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I believe in eating what I like and sweating it out in the gym.
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Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.
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One movie is only one movie. I want to have a lifetime of making films.
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It is true that some people are interested in the buying part of things... They want to buy everything from the movie reviews to the media net to the opinions and so on.
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'Carrie' was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer.
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I love 'Love Actually.' 'Love Actually,' there's, like, nine stories in that movie. Three of them are good. But watching that movie, I get emotional, I get choked up, my wife makes fun of me. I don't know if as you get older you get sappier and sentimental.
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I did a whole lot of work before taking up my first movie. From TV commercials to Telugu films, I learnt a lot from them all.
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I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.
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I'm still learning a lot as a songwriter. I try to write down and make a note of ideas that I cross paths with on a day-to-day basis, whether it be a conversation or something I hear on the radio, seeing a movie, or just thoughts in my head as I'm walking down the street.
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I want to make my own movie.
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I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in.
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I think it's foolish to interview someone who's just promoting a movie that they're in and ask if they consider themselves a feminist. That's not about feminism; that's about the journalist wanting to gauge how much this person is aware of the world or is aware of the feminist movement.
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I met Alejandro Gonzalez Inarritu years ago during my college days, and I was in charge of international promotion of this movie festival he was invited to as part of the jury, and then he saw my work on a short film that was directed by a friend of mine.
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I believe in traditional marriage.
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You could get in rehearsals, pre-production, anything that would actually contribute to the understanding of how a film gets made. I actually find those things increase people's interest in a movie and like that better than worrying about showing the tricks behind the curtain.
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I tell stories so only the independents do that and they don't pay you that much. I'd rather do TV or an HBO movie.
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I did a series for teenagers and kids called S-Club 7 in LA for Fox Family Channel. And I did it because the children, everybody's children, they don't know who I am. They know I'm the-lady-in-the-movie-they-can't-see. And I was actually offended by that because I think I've done a lot of wonderful work.
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I've played different nationalities, and everything from vulnerable to strong to crooked to demented. It just increases your possibilities of work because, if people know you can do just about anything, then you're going to get more offers. That's what I want to do.
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I believe locations should try to be and evoke the characters in a movie.
