Edna Longley Quotes
I think that literature quite often emerges from areas where there has been a lack of articulation, like women's writing.
Quotes to Explore
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Intimate relationships are a gold mine for literature to explore, to understand, to describe.
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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I was a fine arts major in college, and a painter for many years. And I found that, like writing, art is very similar.
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Writing is an exploration. You start from nothing and learn as you go.
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Writing an essay is like a school assignment: I have my topic, I organize my thoughts, and I write it. I have complete control over what I'm doing. Writing a novel is like setting out on a journey without knowing who or what I'll encounter, how long it's going to take, or where I'm going to end up.
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When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
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Writing for me is quite a plastic form, a kind of mental sculpture, although that sounds weird. It acquires its character and its depth as it goes along.
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I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
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I don't believe in 'thinking' old. Although I've transitioned through many bodies - a baby, toddler, child, teen, young adult, mid-life and older adult - my spirit is unchanged. I support my body with exercise, my mind with reading and writing, and my spirit with the knowing that I am part of the Divine source of all life.
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Encourage aspiring writers to continue writing when things are going against them, when it feels hard. Explain the typical obstacles that occur, and encourage and reassure them to continue, never to give up.
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I associated excellence in writing with New York City.
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The Ewoks were definitely a challenge of writing 'The Jedi Doth Return.' After having done so many things with characters who don't speak English, how was I going to make them stand out? Jedi is also rich with emotional material, particularly Darth Vader's transformation from the dark side back to the good.
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I don't feel comfortable doing interviews. My profession is music, and writing songs. That's what I do. I like to do it, but I hate to talk about it.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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I like writing a lot more than I used to. I used to find it scary but now I've got used to it once it gets going. I used to find it hard to start. Fear of the blank page. The first thing you write down won't bear any relation to what's in your head and that's always disappointing.
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Max [Landis] writes in quite a heightened way, specifically for Dirk. There's a rhythm and a specific speed to it, and it was very easy to learn because it was so well-written. It just rolled off the tongue. There aren't many auditions that I go for, where I feel like I could actually do the part. But with this one, even though I was not quite sure how to pin Dirk down, I thought I could do it.
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The best lesson I was given is that all of life teaches, especially if we have that expectation.
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The mind is pretty powerful. In skating, you learn to click into that zone and focus not necessarily on what you're doing but if you're doing it well.
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We can speak very much to the purpose and yet in such a way that the whole world cries out in contradiction: namely, when we are not speaking to the whole world.
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I think that literature quite often emerges from areas where there has been a lack of articulation, like women's writing.
