Brad Soderberg Quotes
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
Quotes to Explore
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As for my diet, I try to eat lean, clean and healthy - nothing too surprising. And I avoid too much meat or dairy because they slow you down.
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I was brought up in an environment where my parents expressed their financial concerns in front of their children.
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I greatly enjoy reading the biographies of scientists, and when doing so I always hope to learn the secrets of their success. Alas, those secrets generally remain elusive.
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A newspaperman said, 'You have to have a team in New York.' I replied, 'Who says you have to have a team in New York?' What came out in the papers was a headline that said, Giles Says, 'Who needs New York?' I confess that quote bothered me, and there seemed to be no way to dispose of it. It was repeated again and again.
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My favorite thing to do in this world is to be on the ice playing hockey and try to entertain fans and bring wins to the Chicago Blackhawks.
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I've never managed to keep a journal longer than two weeks.
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I do think that 'Pretty Little Liars' has raised the bar in how social media can tie into the fan base watching the show.
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I just make up lyrics off the top of my head. A lot of times, there's a phrase I really like, and I kind of build the song around that.
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Boys wear their hearts on their sleeves. Even when they're trying to pull one over on you they're so transparent. Like men.
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I am young, and I think all young guys would love to play a superhero - any superhero - it doesn't matter. I could be a superhero that would just turn into a big blob or something like that, but I could tell all the ladies, 'Hey, I am superhero!'
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I think you don't do work for controversy alone, and whenever you do new work which people don't understand and they say it is done to create controversy.
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I think the process is one of using the camera and sound in the way a detective uses a magnifying glass: to find the clues. They're discovery devices, not performance devices - you're watching things the way a cat does. You're not judging. You're there to witness something.
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How can I wage political battle against a widow who does not mean anyone any harm except only the president himself?
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I've had the most untraumatic life a human being can have. But I've always been drawn to those who have had far more complicated histories.
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Mankind are governed more by their feelings than by reason.
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She looked at me penetratingly. So I suppose you can figure out what happened next.
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I feel Dress for Success is basically about empowering women who were in a disadvantaged situation. The act of wearing a suit when she's walking in the door, it's so powerful - it's about gaining control of their lives and situations.
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It's an unfortunate reality of life that toxins are constantly building up in our bodies.
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I have no problem with violence, I have no problem playing horrible people.
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When I first was exposed to 'Porgy and Bess' many, many years ago, I was blown away by it - loved the music, overwhelmed by the production at the Met that I saw, and thought I want to play Bess someday. But I also knew they were stereotypes that were considered racist.
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If we could look into each other’s hearts and understand the unique challenges each of us faces, I think we would treat each other much more gently, with more love, patience, tolerance, and care.
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Some people aren't great with babies, or they're not great with a smaller child - it's not that they're bad mothers.
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I've never done a film before where every single person in the audience knows the ending. I mean suspense, twists are almost impossible these days. People are blogging your endings from their cinema seats.
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A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
