Brad Soderberg Quotes
Quotes to Explore
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We have a very loyal fan base, the kind tat buys the record the day it comes out, sees every show, and that's fantastic, but what about the people who would never hear about our band?
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I do not suppose I shall be remembered for anything. But I don't think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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I love the idea of thinking of cinema as not that far from music. A lot of my favourite movie makers, the way they move their cameras or the way they cut just feel very musical - even if the movies have no music in them at all.
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The great thing about America is I've never felt like an outsider. I'm just a different piece of the puzzle.
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Textbooks are going to remain a key part of learning. They just need to go digital, become more interactive and they need more analytics.
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I think with world building, it's important to create a sense of culture even if it is just a fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.
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I just don't think men fancy me.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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The one indisputable reality of dictatorship is that dissent, insult, and malevolent language do not go unpunished if it is allowed at all.
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My mother born in Mexico, but was Lebanese in origin. She born 1902 the same year my father arrived to Mexico when he was 14 years old.
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I introduced legislation in the Senate to prohibit President Obama's amnesty. The House of Representatives stood up and led. It took the legislation I introduced and it passed it. But the Senate Democrats stood as one uniform block and said, 'No, we will do nothing to stop amnesty.'
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The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
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If we could, we'd change a lot of things. But the only thing that's going to really change things is money and time. And time might just make it worse, too.
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Having been a journalist for almost 20 years and then becoming a politician has definitely been an interesting and enriching experience for me.
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It is good to learn from the ancients. I'm a bit of an ancient myself. They had a lot of time to think about architecture and landscape.
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I wrote my songs despite the fact that I was a drunk, not because of it.
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I discovered, though, that once having given a pig an enema there is no turning back, no chance of resuming one of life's more stereotyped roles.
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When you go to bed, don't leave bread or milk on the table: it attracts the dead.
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Thus, the controversy about the Moral Majority arises not only from its views, but from its name - which, in the minds of many, seems to imply that only one set of public policies is moral and only one majority can possibly be right.
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My first book was an open letter to my three daughters.
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Don't think I'm not incoheret.
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Today it is not big business that we have to fear. It is big government.
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I think there's definitely a way to tell a story, to also look at marriages that are working, but find drama from what's challenging them. That's what I think, certainly, 'Parenthood' is kind of about: the unexpected things that come up in your life that challenge you as a man, as a woman, as a husband and a wife, and as a parent.
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It doesn't have a life of its own. You guys can write about it. But it's been weird.
