Edward Bulwer-Lytton, 1st Baron Lytton Quotes
Art employs method for the symmetrical formation of beauty, as science employs it for the logical exposition of truth; but the mechanical process is, in the last, ever kept visibly distinct, while in the first it escapes from sight amid the shows of color and the curves of grace.
Quotes to Explore
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My daily beauty regimen consists of washing my face before bed and putting on moisturizer.
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Love isn't an emotion or an instinct - it's an art.
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At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. Art is anonymous. It's not competitive with men. It's a complementary contribution.
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I preach there are all kinds of truth, your truth and somebody else's. But behind all of them there is only one truth and that is that there's no truth.
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May the perfect grace and eternal love of Christ our Lord be our never-failing protection and help.
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We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
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Attributing to anything or anyone more good than God has attributed to them is not a positive move, nor does it mean that you have done them any good. A single grain of truth is preferable to a bumper harvest of false imaginings.
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I don't understand how any good art could fail to be political.
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The Western man declares that in order to be beautiful, a woman must look 14 years old. If she dares to look 50, or worse, 60, she is beyond the pale. By putting the spotlight on the female child and framing her as the ideal of beauty, he condemns the mature woman to invisibility.
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One of the most striking signs of the decay of art is the intermixing of different genres.
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The art of prose governed by syncopated thinking; for thoughts curdle in the heart if not expressed. An idea is like a rare bird which cannot be seen. What one sees is the trembling of the branch it has just left.
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Nothing is art if it does not come from nature.
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A restaurant is a compendium of choices that the owner has made. If you look around a restaurant, everything represents a choice: the kind of salt shaker that's on the table, the art on the walls, the uniforms on the waiters.
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We live in a world of denial, and we don't know what the truth is anymore.
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Let's face it: professing a deep interest in movies, the absolutely dominant global art form of the last century, is at this point like professing an interest in air. Passion is nice. Erudition is admirable. But it's like that moment when good manners cross over into meaningless etiquette.
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The crime of book purging is that it involves a rejection of the word. For the word is never absolute truth, but only man's frail and human effort to approach the truth. To reject the word is to reject the human search.
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Just as the science and art of agriculture depend upon chemistry and botany, so the art of education depends upon physiology and psychology.
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People like to say that the conflict is between good and evil. The real conflict is between truth and lies.
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When we believe in lies, we cannot see the truth, so we make thousands of assumptions and we take them as truth. One of the biggest assumptions we make is that the lies we believe are the truth!
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When you see my performances, even people that you might have known, like Nicky Barnes in 'American Gangster,' you have to get over the fact that I look like Cuba Gooding, Jr. But once you find truth in the performance, if I'm doing my job right, you believe everything.
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I just want to make art that connects with people and moves them on an emotional level. Any time I can put out music and place a story behind it and have people watch it and go, 'Wow, I was affected by that,' to me, feels like I've done my job.
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The new Germany has the unquestionable right to hold its tongue between its teeth.
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I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
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Art employs method for the symmetrical formation of beauty, as science employs it for the logical exposition of truth; but the mechanical process is, in the last, ever kept visibly distinct, while in the first it escapes from sight amid the shows of color and the curves of grace.
