Edward Bulwer-Lytton, 1st Baron Lytton Quotes
Art employs method for the symmetrical formation of beauty, as science employs it for the logical exposition of truth; but the mechanical process is, in the last, ever kept visibly distinct, while in the first it escapes from sight amid the shows of color and the curves of grace.
Quotes to Explore
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My daily beauty regimen consists of washing my face before bed and putting on moisturizer.
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Love isn't an emotion or an instinct - it's an art.
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At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. Art is anonymous. It's not competitive with men. It's a complementary contribution.
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I preach there are all kinds of truth, your truth and somebody else's. But behind all of them there is only one truth and that is that there's no truth.
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May the perfect grace and eternal love of Christ our Lord be our never-failing protection and help.
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We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
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Attributing to anything or anyone more good than God has attributed to them is not a positive move, nor does it mean that you have done them any good. A single grain of truth is preferable to a bumper harvest of false imaginings.
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I don't understand how any good art could fail to be political.
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The Western man declares that in order to be beautiful, a woman must look 14 years old. If she dares to look 50, or worse, 60, she is beyond the pale. By putting the spotlight on the female child and framing her as the ideal of beauty, he condemns the mature woman to invisibility.
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One of the most striking signs of the decay of art is the intermixing of different genres.
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The art of prose governed by syncopated thinking; for thoughts curdle in the heart if not expressed. An idea is like a rare bird which cannot be seen. What one sees is the trembling of the branch it has just left.
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Nothing is art if it does not come from nature.
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A restaurant is a compendium of choices that the owner has made. If you look around a restaurant, everything represents a choice: the kind of salt shaker that's on the table, the art on the walls, the uniforms on the waiters.
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We live in a world of denial, and we don't know what the truth is anymore.
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Let's face it: professing a deep interest in movies, the absolutely dominant global art form of the last century, is at this point like professing an interest in air. Passion is nice. Erudition is admirable. But it's like that moment when good manners cross over into meaningless etiquette.
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The crime of book purging is that it involves a rejection of the word. For the word is never absolute truth, but only man's frail and human effort to approach the truth. To reject the word is to reject the human search.
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Just as the science and art of agriculture depend upon chemistry and botany, so the art of education depends upon physiology and psychology.
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The hardest thing is to tell the truth about oneself. One doesn't like to remember unpleasant details, but forgetting them makes one's life seem disorganized.
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People like to say that the conflict is between good and evil. The real conflict is between truth and lies.
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Traditional Chinese art looked at the Earth from a Confucian mountain top; Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace. For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
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Authority is no source for Truth.
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When I began to choreograph and find my way pulling other artists' dreams out and changing music in a visual way, there was still a part of me that had something more to say. There was still a desire to rock a stage and ultimately perform the eight count of my dream, but there was a lot of insecurity there.
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Art employs method for the symmetrical formation of beauty, as science employs it for the logical exposition of truth; but the mechanical process is, in the last, ever kept visibly distinct, while in the first it escapes from sight amid the shows of color and the curves of grace.
