Edward Bulwer-Lytton, 1st Baron Lytton Quotes
Quotes to Explore
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One of the most sacred purposes for which the scriptures were written was to make it possible for all to know Christ. The scriptures teach and testify of Jesus Christ. They teach us much that we need to know and to do to return to the presence of the Savior.
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I bought a girl roses once.
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Walking by water frees your creativity. I don't know how it works - there's something about it that's liberating.
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It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
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I think you can't be really posh and be an interesting actor. I'm a bit of a posh rough.
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No science is immune to the infection of politics and the corruption of power.
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We deem those happy who from the experience of life have learnt to bear its ills without being overcome by them.
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I know a lot of people who use the Internet really wisely. It enriches their lives in some way.
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For the bureaucrat, the world is a mere object to be manipulated by him.
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The whole purpose of those attacks was to drive those contractors out. Lots of them had to leave. They were terrified.
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In 1956, I received an invitation to a dedication of an observatory in the Soviet Union, in Soviet Armenia, as a guest of the Soviet Academy of Sciences.
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I always fall in love with qualities of people I work with.
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An economy genuinely local and neighborly offers to localities a measure of security that they cannot derive from a national or a global economy controlled by people who, by principle, have no local commitment.
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Think twice before you speak, because your words and influence will plant the seed of either success or failure in the mind of another.
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I get the music, I get the beats. And I go to the studios and write the lyrics.
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Take advantage of the years of pioneering efforts. You might find this boring, as the young want to rush head on, as it were.
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I want to go against the best fighters. That's why I'm always calling out Georges St-Pierre. I don't have anything against Georges St-Pierre. I think he's a great fighter.
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There was nothing more I wanted to do than to see my dad react well to my music. I still do. I send him my demos all the time.
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There is a healthy American newspaper tradition of not taking yourself seriously It is the story you must take that way... And if you do take yourself seriously, according to this sound convention, you are supposed to do your best not to let anyone else know about it. (Like bed-wetting.)
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Normally, I rely heavily on my director to massage me out of my actor comfort zones.
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I have nothing but great respect for great scholars. But I was in grad school in the '80s and '90s, at the height of the theory craziness. It had a big part in why I ended up becoming a writer rather than a scholar, because I thought, "I just can't play these games." I was interested in literature because I loved literature, and so much of the theoretical positioning, at that moment 25 years ago, was antagonistic to literature. You know, trying to show that Jane Austen is a terrible person because she wasn't thinking about colonialism.
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I think there's a general confusion that my work is about types of photography. But really that's just a tool to introduce some questions I have about seeing. What happens when all of these conditions and structures and histories and cultures and tools you have around you begin to fail? On the one hand there is an engagement with histories and cultures, and on the other, there is this very lonesome space of actually coming to terms with seeing.
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The classic literature is always modern.
