V. S. Pritchett Quotes
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One recalls how much the creative impulse of the best-sellers depends upon self-pity. It is an emotion of great dramatic potential.
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It is exciting and emancipating to believe we are one of nature's latest experiments, but what if the experiment is unsuccessful?
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The peculiar foreign superstition that the English do not like love, the evidence being that they do not talk about it.
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How extraordinary it is that one feels most guilt about the sins one is unable to commit.
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Well, youth is the period of assumed personalities and disguises. It is the time of the sincerely insincere.
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Life - how curious is that habit that makes us think it is not here, but elsewhere.
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The wrongs of childhood and upbringing have made a large and obsessional contribution to autobiography and the novel.
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The Canadian spirit is cautious, observant and critical where the American is assertive.
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All writers - all people - have their stores of private and family legends which lie like a collection of half-forgotten, often violent toys on the floor of memory.
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In our family, as far as we are concerned, we were born and what happened before that is myth.
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The secret of happiness is to find a congenial monotony.
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The difference between farce and humour in literature is, I suppose, that farce strums louder and louder on one string, while humour varies its note, changes its key, grows and spreads and deepens until it may indeed reach tragic depths.
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Because of the influence of the cinema, most reports or stories of violence are so pictorial that they lack content or meaning. The camera brings them to our eyes, but does not settle them in our minds, nor in time.
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Most comic writers like to think they could play it straight if only their public would let them. Waugh is able to be grave without difficulty for he has always been comic for serious reasons. He has his own, almost romantic sense of propriety.
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In her businesslike way she thought that her life had begun when she was a very young woman and she really did look lovely: you knew it wouldn't last and you packed all you could into it - but men were different. A man like B - like Alfie, too - never got beyond the time when they were boys and, damn them, it kept them young.
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Prep school, public school, university: these now tedious influences standardize English autobiography, giving the educated Englishman the sad if fascinating appearance of a stuffed bird of sly and beady eye in some old seaside museum. The fixation on school has become a class trait. It manifests itself as a mixture of incurious piety and parlour game.
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There is more magic in sin if it is not committed.
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Now, practically all reviewers have academic aspirations. The people from the universities are used to a captive audience, but the literary journalist has to please his audience.
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I found people were telling stories to themselves without knowing it. It seemed to me that people were living a sort of small sermon that they believed in, but at the same time it was a fairy tale. Selfish desires, along with one or two highly suspect elevated thoughts. They secretly regard themselves as works of art, valuable in themselves.
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Like many popular best-sellers, he was a very sad and solemn man who took himself too seriously and his art not seriously enough.
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It is well known that, when two authors meet, they at once start talking about money-like everyone else.
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Wilson was not, in the academic sense, a scholar or historian. He was an enormous reader, one of those readers who are perpetually on the scent from book to book. He was the old-style man of letters, but galvanized and with the iron of purpose in him.
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It's very important to feel foreign. I was born in England, but when I'm being a writer, everyone in England is foreign to me.
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The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.