V. S. Pritchett Quotes
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The novel...creates a bemusing effect. The short story, on the other hand wakes the reader up. Not only that, it answers the primitive craving for art, the wit, paradox and beauty of shape, the longing to see a dramatic pattern and significance in our experience.
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The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.
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On one plane, the very great writers and the popular romancers of the lower order always meet. They use all of themselves, helplessly, unselectively. They are above the primness and good taste of declining to give themselves away.
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Some writers thrive on the contact with the commerce of success; others are corrupted by it. Perhaps, like losing one's virginity,it is not as bad (or as good) as one feared it was going to be.
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Among the masked dandies of Edwardian comedy, Max Beerbohm is the most happily armored by a deep and almost innocent love of himself as a work of art.
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I felt the beginning of a passion, hopeless in the long run, but very nourishing, for identifying myself with people who were not my own, and whose lives were governed by ideas alien to mine.
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Yes, well I had all my serious illnesses in late middle age. And now I'm just stuck, I'm afraid.
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The profoundly humorous writers are humorous because they are responsive to the hopeless, uncouth, concatenations of life.
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The businessman who is a novelist is able to drop in on literature and feel no suicidal loss of esteem if the lady is not at home, and he can spend his life preparing without fuss for the awful interview.
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[London] is sentimental and tolerant. The attitude to foreigners is like the attitude to dogs: Dogs are neither human nor British, but so long as you keep them under control, give them their exercise, feed them, pat them, you will find their wild emotions are amusing, and their characters interesting.
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It is the role of the poet to look at what is happening in the world and to know that quite other things are happening.
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It is often said that in Ireland there is an excess of genius unsustained by talent; but there is talent in the tongues.
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The detective novel is the art-for-art's-sake of our yawning Philistinism, the classic example of a specialized form of art removed from contact with the life it pretends to build on.
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Sooner or later, the great men turn out to be all alike. They never stop working. They never lose a minute. It is very depressing.