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Opera is when a guy gets stabbed in the back and instead of bleeding he sings.
Edward Gardner -
This opera has got that, but it's got a huge range of other amazing lyrical moments, for the chorus, the orchestra and the soloists. It's the variety of the music in it that is almost the hardest thing about conducting it.
Edward Gardner
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By him just being alive is inspiration enough.
Edward Gardner -
He was ready to play again. Good for us, bad for the Fire Department.
Edward Gardner -
If we would just support each other -- that's ninety percent of the problem.
Edward Gardner -
When he got the ball, he hit the hole. He either went left or right; he never let anyone hit him head-on. You can't coach that. You can't teach that.
Edward Gardner -
It's not what you take but what you leave behind that defines greatness.
Edward Gardner -
As a conductor I find the hardest tasks are to listen to the instinct of a musician and to hear the music behind the notes.
Edward Gardner
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Hopefully, he can get out of here and he can give a little guidance to the guy taking his place in the backfield.
Edward Gardner -
He's a fighter. The family is trying to stay calm.
Edward Gardner -
It just gives us hope that he will get out of that bed and make it home.
Edward Gardner -
This is a way for his memory to be honored and have a presence in the movie.
Edward Gardner