Edwin S. Shneidman Quotes
There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
Quotes to Explore
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Do our children now have to choose between getting an education and dying? Some of us cannot move on and accept that kind of society.
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My biggest nightmare is I'm driving home and get sick and go to hospital. I say: 'Please help me.' And the people say: 'Hey, you look like...' And I'm dying while they're wondering whether I'm Barbra Streisand.
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When you choose your friends, don't be short-changed by choosing personality over character.
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As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
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I'm not normally the kind of person who holds on to grudges, I'm really not.
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No matter where your lot may be cast, no power on earth can keep you from making a man of yourself, a superb character, a masterpiece.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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I've been a huge fan of Chris Martin forever; it'd be awesome to work with him. He's really kind, and he's been really encouraging when we've met.
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A novel requires a certain kind of world-building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see.
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I'm definitely a glass-is-always-half-full, not half-empty, kind of person. Which is why I love living in America.
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I do love that witches haven't really been explored that much. Usually, witches are the little side character... a bad female character that comes in and leaves.
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Great ambition is the passion of a great character. Those endowed with it may perform very good or very bad acts. All depends on the principles which direct them.
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I don't act in the way other actresses act, in terms of building or creating a character. I don't transform myself into the role, I invest myself in the role.
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I think we should look forward to death more than we do. Of course everybody hates to go to bed or miss anything, but dying is really the only chance we'll get to rest.
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When you're young, you don't feel iconoclastic - you're just kind of doing what seems natural, what moves you.
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They have been deprived nutritionally, or some illness has not been picked up, or they have not been screened for vision or hearing defects, or they have not had some kind of a chronic illness or error of metabolism picked up.
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I just have this deep kind of connection to reality of being like... in a way, I feel like a dock worker. I want to stay in connection with my dock-worker side, 'cause that's how I grew up.
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You don't build your character by doing what everybody else is doing.
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I have a list in my mind and in my heart of actors who have been extraordinarily kind, and Hugh Laurie is near the top.
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At one time they've been the most important thing to me. So I can't hear our records on the radio, I can't stand it, because they sound so out of what everyone else is doing.
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All the arts come from God and are to be respected as divine inventions.
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Revenge is a way of life and definitely some thing that we identify with. We all feel cheated in some way about some thing and how nice it would be to do something about it. I mean ultimately it's not the most Christian of sentiments.
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Stuffed vine leaves tend to burn and/or stick when you cook them. To avoid this, use a heavy based pan lined with a few layers of second-rate leaves.
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There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
