Brian Setzer Quotes
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Mark Winchester has left the band. He's decided that he's tired of the road and just wants to concentrate on his career in Nashville. I don't blame him at all. He'll certainly be missed.
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The songwriting has never really stepped forward from the '50's.
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I'm not God's gift to rockabilly. There's great players out there, and some of them deserve a lot more than they've gotten.
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I started a big band when grunge was popular. I mean, that didn't make much sense.
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A lot of people put all that stuff on a pedestal, and they won't touch it. But I don't think that's the reason they did that. I think they played that stuff out of pure joy.
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I like a good pompadour.
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If you listen to everybody's opinions, I mean, I always say I'd be digging a ditch on the side of the road now if I had listened to what everybody told me what to do. You know, you have to follow your heart, you have to.
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Veteran performers are dying off, and new acts simply aren't emerging on the national scene.
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The biggest challenge for me was Get Rhythm. I don't know why.
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I always thought when I hit 50 years old that'd be it for the travel. I don't have to tell you - you wait at an airport, your flight's delayed, get on a 14-hour flight, get off, get stuck in traffic, you get to the hotel and the room service is closed.
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Elvis is not so difficult as Johnny Cash because his voice is so distinctive. If you try to copy Johnny Cash, it's just going to sound dumb.
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Just because you put super great musicians together, it doesn't mean you're going to have that chemistry as a band.
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People out there maybe know who Junior Parker is and some of those Sun Records blues guys.
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I wanted to go back to Sun. Unfortunately, most of the gear is gone from Sun. The way I take it now, it's almost like a tourist destination. So, it would have been pretty difficult to have brought all the gear into Sun to make it like it was in the '50's.
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I love Glen Campbell. He never gets a mention.
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I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.
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Since the big band started I'm just always swamped with movies and things. It certainly pays the bills and it's very satisfying, because I get to write all these big charts and all this crazy music.
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With the Stray Cats at least, we really took the music somewhere else. First, we wrote our own songs. That's a real weak point in modern classics if you do rockabilly or blues.
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I can't tell you how many people have asked me to show them Stray Cat Strut and that little diminished run on the C. I guess my brain is wired backwards. I don't know what possessed me to do that, but I did.
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To me, rockabilly music paralleled punk's energy and feeling, but the players were much better.
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I put a metronome up to all the songs, and I tried to really keep it true to the original tempos.
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Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.
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To keep creating something with this type of music, you have to take it out of the box.
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Rock and roll and swing never quite mixed. Rock and roll came in and just blew everything out of the water. Big bands were dead.