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I've read a couple of things that I was sort of close to having a nervous breakdown. But I don't think I was. I was very, very tired. It was a really difficult time.
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I have a theory that there are still parts of our mental worlds that are still based around the age of between five and eight, and we just kind of pretend to be grown-up.
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School was a very cruel environment, and I was a loner. But I learnt to get hurt, and I learnt to cope with it.
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It's so important to me to do the washing, do the Hoovering. I don't ever want to lose contact with that.
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I think quotes are very dangerous things.
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I didn't really feel that there were any filler tracks on 'The Red Shoes,' but if I were to do that album now, I wouldn't make it so long.
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People said I couldn't gig, and I proved them wrong.
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Touring is an incredibly isolated situation. I don't know how people tour for years on end. You find a lot of people who can't stop touring, and it's because they don't know how to come back into life. It's sort of unreal.
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My music can be a little obscure. It does worry me that the music might be too complicated for people to take in - that they have to work too hard at it.
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My first Top of the Pops I didn't want to do. I was terrified. I'd never done television before. Seeing the video afterwards was like watching myself die.
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I think probably the only thing that is around in these songs is that I was really lonely when I wrote a lot of them. But it was really by my own choosing because I was devoting myself to songwriting and dancing and I wasn't really going out and seeing people.
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I think snow is so evocative and has such a powerful atmosphere.
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People ask what I really did in the three years between 'The Dreaming' and 'Hounds of Love.' I spent it with my family, living a normal home life.
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I could find faults with all my albums because that's just a part of being an artist - it's hard being a human being, isn't it?
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I do have the odd dream where I'm on stage and I've completely forgotten what I'm meant to be performing - so they are more nightmares than dreams.
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The great thing about vinyl is that if you wanted to get a decent-sounding cut, you could really only have 20 minutes max on each side.
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I guess what all artists want is for their work to touch someone or for it to be thought provoking.
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Albums are like diaries. You go through phases, technically and emotionally, and they reflect the state that you're in at the time.
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I don't read newspapers, and I've said I don't watch the news. I love books, but I don't read much. What I do is I get people to read to me, and I put the stories in my head.
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Quite understandably, people think that if there's a six-year gap or whatever, that it's taken me six years to make the album. It's not really like that at all.
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I understand that people want to just listen to a track and put it on their iPod, and that's fine, there's nothing wrong with that, but why can't that exist hand in hand with an album? They're such different experiences.
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One of the main reasons for wanting to perform live again was to have contact with that audience.
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Whenever I see the news, it's always the same depressing things.
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But I don't have a very good track record with royalty. My dress fell off in front of Prince Charles at the Prince's Trust, so I'm just living up to my reputation.