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It's so important to me to do the washing, do the Hoovering. I don't ever want to lose contact with that.
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I hear odd tracks from my albums every now and again on the radio, or maybe a friend plays me something.
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I have a theory that there are still parts of our mental worlds that are still based around the age of between five and eight, and we just kind of pretend to be grown-up.
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I think quotes are very dangerous things.
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I've read a couple of things that I was sort of close to having a nervous breakdown. But I don't think I was. I was very, very tired. It was a really difficult time.
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I think snow is so evocative and has such a powerful atmosphere.
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I didn't really feel that there were any filler tracks on 'The Red Shoes,' but if I were to do that album now, I wouldn't make it so long.
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I think probably the only thing that is around in these songs is that I was really lonely when I wrote a lot of them. But it was really by my own choosing because I was devoting myself to songwriting and dancing and I wasn't really going out and seeing people.
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People said I couldn't gig, and I proved them wrong.
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Touring is an incredibly isolated situation. I don't know how people tour for years on end. You find a lot of people who can't stop touring, and it's because they don't know how to come back into life. It's sort of unreal.
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People ask what I really did in the three years between 'The Dreaming' and 'Hounds of Love.' I spent it with my family, living a normal home life.
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My music can be a little obscure. It does worry me that the music might be too complicated for people to take in - that they have to work too hard at it.
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I could find faults with all my albums because that's just a part of being an artist - it's hard being a human being, isn't it?
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My first Top of the Pops I didn't want to do. I was terrified. I'd never done television before. Seeing the video afterwards was like watching myself die.
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The great thing about vinyl is that if you wanted to get a decent-sounding cut, you could really only have 20 minutes max on each side.
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Albums are like diaries. You go through phases, technically and emotionally, and they reflect the state that you're in at the time.
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I don't read newspapers, and I've said I don't watch the news. I love books, but I don't read much. What I do is I get people to read to me, and I put the stories in my head.
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I understand that people want to just listen to a track and put it on their iPod, and that's fine, there's nothing wrong with that, but why can't that exist hand in hand with an album? They're such different experiences.
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One of the main reasons for wanting to perform live again was to have contact with that audience.
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If I could make albums quicker, I'd be on a roll wouldn't I? Everything just seems to take so much time. I don't know why. Time... evaporates.
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I do have the odd dream where I'm on stage and I've completely forgotten what I'm meant to be performing - so they are more nightmares than dreams.
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I suppose I do think I go out of my way to be a very normal person, and I just find it frustrating that people think that I'm some kind of weirdo reclusive that never comes out into the world.
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Whenever I see the news, it's always the same depressing things.
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But I don't have a very good track record with royalty. My dress fell off in front of Prince Charles at the Prince's Trust, so I'm just living up to my reputation.