Elena Ferrante Quotes
I was afraid that she would express herself in dialect, that she would say something vulgar, that it would become obvious that school for her had ended with an elementary-school diploma. I was afraid that, if she merely opened her mouth, everyone would be hypnotized by her intelligence and Professor Galiani herself would be entranced. I was afraid that the professor would find her both presumptuous and naïve and would say to me: Who is this friend of yours, stop seeing her. I was afraid she would understand that I was only Lila’s pale shadow and would be interested not in me any longer but in her, she would want to see her again, she would undertake to make her go back to school.

Quotes to Explore
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'In A World...' changed my life a thousand per cent. I feel thankful that something I believed in so much - I love dialect, so I dedicated five years of my life to making a film about it - yielded such rewards. It led to 'Man Up,' as well as 'No Escape,' which comes out later this year... two movies where I am the female lead.
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The struggle to get weapons is continuous, but the United States will aid us, if it finds Israel displaying a willingness for peace.
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A lot of my work is about equalizing things and kind of destroying any barrier between what's high and low, or what's deep or what's shallow, complex or simple. I hope I'm ever-changing.
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It is possible to tolerate anything as long as it only affects you. But the method of collective punishment is bigger than that.
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The whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, all of them imaginary.
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I moved out when I was 17 to get away from a pretty tough and difficult family environment.
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To work hard, to live hard, to die hard, and then go to hell after all would be too damn hard.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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I'm younger than Rod Stewart and Bruce Springsteen, but I'm still getting up there in age.
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That's the really neat thing about Dan Quayle, as you must have realized from the first moment you looked into those lovely blue eyes: impeachment insurance.
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Memory is a way of telling you what's important to you.
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Place me behind prison walls - walls of stone ever so high, ever so thick, reaching ever so far into the ground. There is a possibility that in some way or another I may be able to escape. But stand me on that floor and draw a chalk line around me and have me give my word of honor never to cross it. Can I get out of that circle? No. Never.
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Singing is my passion, my first love and the secret of my energy. Music to me is like finding my inner self, my soul. It gives me a great joy to see audiences enjoying with me. I have given my heart to singing. When I sing, I can feel romance in everything around me.
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My most profound growth as a writer came when I joined an online critique group. What a harrowing, terrifying, wonderful experience that was.
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It is worth while too to warn the teacher that undue severity in correcting faults is liable at times to discourage a boy's mind from effort.
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I got a granite chin.
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I'm a voracious reader, and I love to throw myself into it.
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I confess I enjoy democracy immensely. It is incomparably idiotic, and hence incomparably amusing.
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Motherhood is an amazing feeling, and if you get to relive those special moments while working, it works as an icing on the cake. Kids have always been close to my heart, and working with them is a pleasure for me.
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My desire is to be a forgiving, non-judgmental person.
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Green roofs, roadside plantings, porous pavement, and sidewalk gardens have been proven to reduce flooding. They absorb rainwater before it swamps the streets and sewage systems.
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Friends at school were always quite shocked that we holidayed in Nigeria, but it was all pretty middle-class, really.
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I've been very lucky. I made a choice, getting out of school, to follow the work and the people that really struck my heartstrings; 'Natasha, Pierre & the Great Comet of 1812' was one of those - maybe it was an accident.
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I was afraid that she would express herself in dialect, that she would say something vulgar, that it would become obvious that school for her had ended with an elementary-school diploma. I was afraid that, if she merely opened her mouth, everyone would be hypnotized by her intelligence and Professor Galiani herself would be entranced. I was afraid that the professor would find her both presumptuous and naïve and would say to me: Who is this friend of yours, stop seeing her. I was afraid she would understand that I was only Lila’s pale shadow and would be interested not in me any longer but in her, she would want to see her again, she would undertake to make her go back to school.