Ira Sachs Quotes
Quotes to Explore
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My father, I think he played percussion in high school. My mother played piano when she was very young, but only for a brief while. I don't think she had a great teacher. In any case, neither of them were really into music at a young age.
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This dragonfly came up to me. He was hovering right in front of my face, and I was really examining him, thinking, How does he see me? I became enlightened.
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Theater dates very quickly.
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Remember this: classics never make a comeback. They wait for that perfect moment to take the spotlight from overdone, tired trends.
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It's really not my thing to go after what comedians are doing. Because I always feel like we're jesters at the end of the day.
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Running is what keeps my weight down. I have to stay active or I could easily gain weight.
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Although the French were very friendly and helpful. On one location we were to film at the top of the Eiffel Tower but we couldn't, as it was so misty with four inches of snow on the ground. We couldn't see a thing but we finally got it done.
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I am not a great theologian. I know there is a theological concept called invincible ignorance in which a strong enough faith binds you to any facts to the contrary.
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Because I've done so many different roles, I don't want to repeat myself. It's getting harder and harder to find something interesting. You never know - I might never make a film again.
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You don't do things right once in a while. You do things right all the time.
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I have more to say as a writer than from behind a wok.
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It's time for a recovery and reassessment of North American thinkers. Marshall McLuhan, Leslie Fiedler and Norman O. Brown are the linked triad I would substitute for Jacques Lacan, Jacques Derrida and Michel Foucault, whose work belongs to ravaged postwar Europe and whose ideas transfer poorly into the Anglo-American tradition.
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I love what I'm doing most of the time, but it's hard work. People only see your albums in the charts. They see us at award shows and after-show parties. They don't know about your doubts, the hard work that goes in.
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Safeco Field is a lot like a National League park. Because of that, we're more of a pitching-defensive type club. Anaheim and Oakland - and even Texas - are more offensive oriented. We're a club that doesn't blow anybody out, but at the same time we don't get blown out much. We're in most of the games.
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People just get kicks out of making other people sad.
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I wanna live.
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We must laugh at man to avoid crying for him.
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The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
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It's kind of ironic that my character is a doctor who acts very gay with his best friend. I don't see how gays could ever be doctors, they spend too much time whining about everything. Just get off your soapbox and go back to designing floral arrangements.
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Nobody goes to a movie and watches the script. There is a lot of other stuff going on.
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One of the profound effects of economics in our day is that the people with the money and the power have embraced the guilt-free, external-less, everything-will-turn-out-okay-in-the-end philosophy of economics in order to justify their own evil works. And the economists, for the most part, have sucked up to that money.
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When you're doing an investigation of a company that is doing things that they don't want to be found out, and they say, "I don't want to be on tape," you're not suddenly going to step away and say, "Okay, I'm not going to make a film."
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My films might have been queer - because I was - but they were not gay.
