Elia Suleiman Quotes
It's important for me to not historicize. I work to diffuse the issue of identity and to intensify identification. You have to lose your authority in the making of a film to achieve this. The film is about me being absolutely dislocated. I focus on the very personal to arrive at the very political.

Quotes to Explore
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I teach my children that in life, there is no control of what tomorrow is going to bring. There really isn't. But in whatever it brings, we have choices, and I'm glad because I made more right choices than wrong, but in the wrong choices, there are lessons to be learned.
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My writing is a very authentic journey of discovery. I'm going out there to learn who I am. My readers, consequently, take the same journey as my protagonist.
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If we want to impact hundreds - or millions - of people, we have to do things differently. If we look at the problem as an infrastructural problem, we cannot make an impact because it requires a lot of effort. But when we convert this problem into a knowledge problem, suddenly the problem is manageable.
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You must be a lotus, unfolding its petals when the sun rises in the sky, unaffected by the slush where it is born or even the water which sustains it!
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To have a sense of style, it shows you know yourself. People like that.
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I'm reticent to say much more, but we would like to begin in the coming year. We'd like to shoot through the seasons because of the passage of time. This project is the great love of my life.
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'Star Wars' meant everything to me growing up.
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I feel like after acting, the other half of why I love this business is the opportunity to work with and meet people who inspire you. That it pays my rent is a good bonus.
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My workout is ballet class and rehearsal - I've never belonged to a gym.
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Our elite believe in a new trinity of equality, democracy and diversity. Indeed, after the Cold War, we declared the spread of democracy worldwide to be our historic mission and national goal.
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We aged a hundred years, and this happened in a single hour: the short summer had already died, the body of the ploughed plains smoked.
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I'm quite chameleon in my work - not normally looking much like I do in real life.
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I have never been shy about listening to the input of others and weighing it seriously.
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I'm sick of being self-referential. I don't want to do any more songs that can be accused of being personal.
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I'm a combination between extreme insecurity and extreme confidence.
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I just feel like there's a lot of things more important than just basketball, and I love basketball. It's what I want to do for the longest time possible. It's what I eat, it's what I sleep about, it's what I breathe, it's in my lifestyle. I just really feel like there's more important things than just putting the ball in the hoop.
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Celebrities have a platform, and people listen to them. And there's a lot of people that we are able to touch, who aren't watching activists and aren't watching the news, that are watching what celebrities say.
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After my bar mitzvah, I started to assimilate, to really not pay attention to my roots. The anti-Semitic experiences of my youth had been very painful. You try to put all that in the past and become a person of the world. I think that's the right thing to do. But it's not right to leave out who you really are. That's a tragedy.
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Steve Laurence is the only person that was on the first 'Tonight Show,' right to the end. He was a little high school boy, 14 years old.
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My entire life has been an attempt to get back to the kind of feelings you have on a field. The sense of brotherhood, the esprit de corps, the focus - there being no past or future, just the ball. As trite as it sounds, I was happiest playing ball.
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We are not to expect perfection in this world; but mankind, in modern times, have apparently made some progress in the science of government.
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Bad weather makes for good photography.
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It's important for me to not historicize. I work to diffuse the issue of identity and to intensify identification. You have to lose your authority in the making of a film to achieve this. The film is about me being absolutely dislocated. I focus on the very personal to arrive at the very political.