Bradford Morrow Quotes
Artur Schnabel, one of the towering pianists of the twentieth century. Modified in tone but not spirit from Schnabel’s interview remarks in Chicago the same year Germany surrendered to the Allies. She also knew this was about as high a compliment as Paul Mandelbaum was capable of making. Schnabel’s performances of the thirty-two Beethoven sonatas were possibly the only thing her mentor was capable of carrying on about ad nauseam. You were never going to enter his pantheon of star pupils unless you gave yourself over, heart and soul, to Schnabel’s interpretation of Beethoven’s Klaviersonaten and the virtuoso’s idea that the greatest music was that which is “better than it can be performed.
Quotes to Explore
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When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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I actually spend very little time listening to any new music.
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In all my years of baseball, I have always expected to be traded. I never liked the idea.
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I was bringing the whole music, hip-hop, art, break dancing and urban cultural thing to the downtown table.
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Music is the best means we have of digesting time.
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There is so much great talent in the underground, and electronic music is finally getting the props that it's deserved for so long. I feel like now that everyone is discovering it and it's so fresh sounding to so many people. It doesn't get any more rock n' roll than playing EDC or the Staples Center. It's really madness.
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Sports without music is just a game. Music makes it entertaining.
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For me, genres are a way for people to easily categorize music. But it doesn't have to define you. It doesn't have to limit you.
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Music really gets me going, so I've always got to make sure I have my iPod to give me energy to work out.
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Music is really something that makes people whole.
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Today, I regularly attend two Buddhist organizations, the Zen Center of Los Angeles and Against the Stream, but I also attend certain Christian functions. I try to cultivate a generous, kind spirit and am open to anything to help get me there.
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My dad is a football guy, not a music guy. He didn't totally understand when I decided to be a musician.
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You know, the music business is like the Lotto. Just put your numbers down and sometimes they hit, and sometimes they don't. There's just no rhyme or reason.
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I don't even listen to music when I'm off tour.
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Having a simple career as a musician who liked music was good enough for me.
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When I started making music, I was so heavy into the hyphy movement. That's something you only know so much about if you were right there living in it, submerged in the culture.
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I balance with prayer and music. I sing every day.
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L.A. was just an inspiring kind of place to be. It felt like going to Paris in the Twenties and Thirties. Everybody's there. Everybody's hanging around. Everybody's talking about music.
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We always had a guitar at home, but it wasn't until I was 14 when I picked it up myself when my father handed me these sheets of music of the Beatles and some other classics. That's where I learned all the chords and learned how to play and sing at the same time.
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I hope we business people can invest more aggressively outside Metro Manila, whether in real estate, factories, or other enterprises, in order to give equal opportunities to all other regions.
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Artur Schnabel, one of the towering pianists of the twentieth century. Modified in tone but not spirit from Schnabel’s interview remarks in Chicago the same year Germany surrendered to the Allies. She also knew this was about as high a compliment as Paul Mandelbaum was capable of making. Schnabel’s performances of the thirty-two Beethoven sonatas were possibly the only thing her mentor was capable of carrying on about ad nauseam. You were never going to enter his pantheon of star pupils unless you gave yourself over, heart and soul, to Schnabel’s interpretation of Beethoven’s Klaviersonaten and the virtuoso’s idea that the greatest music was that which is “better than it can be performed.
