Bradford Morrow Quotes
Artur Schnabel, one of the towering pianists of the twentieth century. Modified in tone but not spirit from Schnabel’s interview remarks in Chicago the same year Germany surrendered to the Allies. She also knew this was about as high a compliment as Paul Mandelbaum was capable of making. Schnabel’s performances of the thirty-two Beethoven sonatas were possibly the only thing her mentor was capable of carrying on about ad nauseam. You were never going to enter his pantheon of star pupils unless you gave yourself over, heart and soul, to Schnabel’s interpretation of Beethoven’s Klaviersonaten and the virtuoso’s idea that the greatest music was that which is “better than it can be performed.
Quotes to Explore
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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I actually spend very little time listening to any new music.
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In all my years of baseball, I have always expected to be traded. I never liked the idea.
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I was bringing the whole music, hip-hop, art, break dancing and urban cultural thing to the downtown table.
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Music is the best means we have of digesting time.
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There is so much great talent in the underground, and electronic music is finally getting the props that it's deserved for so long. I feel like now that everyone is discovering it and it's so fresh sounding to so many people. It doesn't get any more rock n' roll than playing EDC or the Staples Center. It's really madness.
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Sports without music is just a game. Music makes it entertaining.
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For me, genres are a way for people to easily categorize music. But it doesn't have to define you. It doesn't have to limit you.
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Music really gets me going, so I've always got to make sure I have my iPod to give me energy to work out.
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Music is really something that makes people whole.
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Today, I regularly attend two Buddhist organizations, the Zen Center of Los Angeles and Against the Stream, but I also attend certain Christian functions. I try to cultivate a generous, kind spirit and am open to anything to help get me there.
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My dad is a football guy, not a music guy. He didn't totally understand when I decided to be a musician.
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You know, the music business is like the Lotto. Just put your numbers down and sometimes they hit, and sometimes they don't. There's just no rhyme or reason.
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I don't even listen to music when I'm off tour.
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Having a simple career as a musician who liked music was good enough for me.
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When I started making music, I was so heavy into the hyphy movement. That's something you only know so much about if you were right there living in it, submerged in the culture.
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I balance with prayer and music. I sing every day.
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I feel like, if I'm going to have young, impressionable people listening to my music, then I'm going to respect that.
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I can't even tell anyone how it feels when I'm acting, I don't mean to say that I don't have to try. But there's something in my heart that explodes, and I feel like I understand. When I'm acting, I feel like so in control and so centered. This is something that I solely get from acting and music. It's like love itself.
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I start every morning at 7 or 7:30 in the same place - my little office where it's dark and cozy - with a cup of the same really strong black coffee. It's my little cocoon. There's no phone or fax or Internet. And no music.
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Money is the great tool through whose means labor and skill become universally co-operative.
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If you factor in not just who's doing what at home, but how much more time working fathers are spending on work outside the home, on average they spend two hours more per day outside the home.
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From helping to process passports to aiding veterans with benefits and assisting with IRS-related issues, my team and I look forward to serving the residents of the 10th District.
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Artur Schnabel, one of the towering pianists of the twentieth century. Modified in tone but not spirit from Schnabel’s interview remarks in Chicago the same year Germany surrendered to the Allies. She also knew this was about as high a compliment as Paul Mandelbaum was capable of making. Schnabel’s performances of the thirty-two Beethoven sonatas were possibly the only thing her mentor was capable of carrying on about ad nauseam. You were never going to enter his pantheon of star pupils unless you gave yourself over, heart and soul, to Schnabel’s interpretation of Beethoven’s Klaviersonaten and the virtuoso’s idea that the greatest music was that which is “better than it can be performed.
