Bram van Velde Quotes
Quotes to Explore
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The artist is the medium between his fantasies and the rest of the world.
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I wanted to make a film - and I've been wanting to do this for 16 years - about life in care, and bring it to the public's attention, because I had never seen anything, on TV or in the cinema, which said: 'This is how it feels to be a kid in care'.
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As an artist, I can't be responsible for how people interpret material.
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I've never really lived a conventional life, so I think it's quite foolish for me or anyone else to start thinking that I am going to start making conventional choices.
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I keep seeing in the papers that I am good friends with Samantha Cameron. I've never met her in my life.
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An anxious unrest, a fierce craving desire for gain has taken possession of the commercial world, and in instances no longer rare the most precious and permanent goods of human life have been madly sacrificed in the interests of momentary enrichment.
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In some sense, when you take a child soldier out of an armed group, you've taken away the identity he or she has had for years, and you can't assume life is just going to return to normal.
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Who has connections to Connecticut? That's where rich people go to live the rest of their life in the woods.
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When a man is tired of London, he is tired of life; for there is in London all that life can afford.
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I love dancing just because I've done it my whole life and it's definitely what I want to do. I feel like, I want to train with acting and do movies. Those two are my main priorities. I definitely want to be able to sing and model, too. I definitely love those, too.
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Many activities and team play participation will give you a training that will prove invaluable later on in life.
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Everybody is not completely traumatised by their life.
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Everybody always asks about Jimmy Fallon. I'm sorry to say that he's very nice and there's not much bad to say about him. I don't know if he sucks at videogames or not. I don't think he plays them, but he could have this whole secret life I don't know about.
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I've always loved the power of stories to transport me to another world, to imagine extraordinary possibilities, to experience things I may not have access to in my regular life - like being a superhero! Also, I would always put on shows for my family and the neighbors; I guess I was an actor before I even knew it.
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American life is based on a reassurance that we like one another but won't violate one another's privacies. This makes it a land of small talk.
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In the '50s and '60s, the life of a gay man was a secret. Homosexuality was illegal, so you didn't draw attention to yourself.
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I could care less about the radio or the TV or album sales. I want that connection with people because when I'm able to walk down the street, I want them to feel like I've done something for them and helped their life because I've never felt that way about a musician.
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All of a sudden I was living what is perceived to be the model life. It was just full-on, 24 hours a day. It was work all the time. And there's always a party to go to.
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Slow down and enjoy life. It's not only the scenery you miss by going to fast - you also miss the sense of where you are going and why.
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Our story of evolution ended with a stirring in the brain-organ of the latest of Nature's experiments; but that stirring of consciousness transmutes the whole story and gives meaning to its symbolism. Symbolically it is the end, but looking behind the symbolism it is the beginning.
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I used to watch 'The Waltons' and sob because my family was nothing like that. We had a cruel sense of humor in my family.
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I think that part of my optimism comes from the belief that we as a people could actually, regardless of all the disadvantage of the past, regardless of the fact that a lot of other folks got a head start in the race, if we were able to make the race fair right now.
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In the United States, female fisticuffs were marginalized, first as erotic vaudeville in the 19th century and later as serious competition developed in the first half of the 20th. Legal wars waged by boxers in the 1960s and '70s won women the right to compete professionally nationwide.
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The artist is the bearer of life.
