Federico Fellini Quotes
Quotes to Explore
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What's great about stand-up is that you can say whatever you want and go around the country, and sometimes the world, and work on it and see how people react. You don't need Standards & Practices or notes from lawyers or producers to tell you what's funny.
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I love interesting people with eccentric stories and outsiders of the world.
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I vowed I would do everything I could to stop the Isle of Man counting towards the world championship. And it was stopped, so they love me in the Isle of Man.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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The worst thing that being an artist could do to you would be that it would make you slightly unhappy constantly.
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If the perpetrators of the World Trade Center plane crashes had a nuclear weapon, there's no doubt in my mind but that they would've detonated it in New York.
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With the monstrous weapons man already has, humanity is in danger of being trapped in this world by its moral adolescents.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I'm a professional world champion. Of course if you're a world champion, you're working harder than everybody else. You're making the commitment, and you're making the sacrifices. If it were easy, everybody would be able to do it. Everybody would be able to be world champion, but everybody can't be. Everybody doesn't have it in them.
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When the dollar was separated entirely from gold in 1971, it ceased being the official IMF world currency and finally had to compete with other currencies... From that point forward, its value increasingly became discounted.
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Since Mashable's inception, some of our most popular articles have focused on the science behind the world's coolest innovations.
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One of the things that's really, really present in 'Between the World and Me' is, I am in some ways outside of the African-American tradition.
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Set the foot down with distrust on the crust of the world - it is thin.
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I was very shy, but when I performed, I felt like I was in my own little world. I became more confident. Dancing taught me discipline and to feel comfortable in my own skin.
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I really do try to watch everything I say. Because one little tiny slip, and it's like the world is coming to an end!
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I don't walk into the lab in the morning thinking, 'I am a woman, and I will carry out an experiment that will conquer the world.' I am a scientist, not male or female. A scientist.
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All the world has been converted and Washington is the modem Mecca.
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I've been in the public eye so long, I can't remember how it was when it was different - from my mid-20s onwards, when my career started to blossom and I became an international, world cups and things.
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Indeed, in a world of the BlackBerry, remote access and Wi-Fi hotspots on every street corner, it feels particularly outdated that much of our working culture is still dominated by the need to be at our desk for long hours of the day.
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I don't understand racism. We are all the same and I have the perfect hypothesis to prove it. I play to all those countries and they cry in all the same places in my show. They laugh in the same places. They become hysterical in the same places. They faint in the same places and that's the perfect hypothesis. There is a commonality that we are all the same.
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It's always fun to pass on what I've learned to the younger people.
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Consider the momentous event in architecture when the wall parted and the column became.
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The artist is the medium between his fantasies and the rest of the world.
