Ellen Meloy Quotes
An ellipse of pale rose sand lines the inside of a river bend of such beauty, you could set yourself on fire with the rapture of that curve. In it lies a kind of music in stone that might cure all emptiness.
Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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I think I've had the longest career of strength, focus, and still being able to sell records. I think I'm that guy. I'm still blessed with the opportunity to make music and pass out a message like, 'Life is good,' to the world.
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And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
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I'm the artist when I'm doing music that I am when I'm acting. I'm everything.
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I like music a lot.
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I want to be in control of how my music is released and how I create it. What people don't talk about when they talk about major labels is how many artists get dropped or funding gets dropped when they don't recoup quick enough.
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Today, music is great for entertainment, but it is lacking soul; it's lacking substance, and it's difficult to find good stuff. There are too many corporate interests. It's not about the actual music because it's about the corporation, and music just becomes part of a package.
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The opera is to music what a bawdy house is to a cathedral.
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Whenever you write music, you want it to touch people on a certain level. I mean, I've been reading tweets about 'Troublemaker' and people saying 'OMG, I can so relate to this - this is a guy that I fancy, or a girl that I fancy; it's exactly like this person.'
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I've always had this passion to be creative, and wanted to sing or be in bands and make music, but I didn't have ideas as to what format it'd be, or how I'd do it. I'm not very good with plans. I didn't think it would be me at the front, either. In fact, I'd go as far as saying that was something I'd prevent.
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We are neurologically hardwired to seek out people like ourselves. We start forming cliques as soon as we're old enough to know what acceptance feels like. We bond together based on anything that we can - music preference, race, gender, the block that we grew up on.
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I was kind of going that route with my country music. Indie country. Which would work, if I was playing on Americana stages. Unless I had a television outlet like 'Glee'.
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As long as I've known music, Bose has been the company to listen to. They're a lot of fun to work with, but also being able to associate yourself with such a high-quality product is great.
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I don't really like the idea of putting myself in any category now... I think that people are looking for music that's real and honest and that they can relate to emotionally.
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I grew up listening to a lot of Malaysian pop music, which is kind of like a mixture of traditional and pop... I was also listening to a lot of English music as well.
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Before I'd even started doing music or having opportunities with my own music, I was studying production and business and stuff anyway. I knew there were so many jobs within the music industry - songwriting or session playing or working at a label - and I was really interested in how it all works.
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I like the idea of a kind of eternal music, but I didn't want it to be eternally repetitive, either. I wanted it to be eternally changing. So I developed two ideas in that way. 'Discreet Music' was like that, and 'Music for Airports.' What you hear on the recordings is a little part of one of those processes working itself out.
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Successful entrepreneurs always give 100% of their efforts to everything they do.
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That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.
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I would be lying if I said I'm not flattered being voted as the 'Time's' Most Desirable Man of 2012. Frankly, I have no idea how the desirability quotient is arrived at. If it is just drop dead good looks, then I have to thank God and my parents for it.
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I don't like to beat people down. They need to be lifted up.
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An ellipse of pale rose sand lines the inside of a river bend of such beauty, you could set yourself on fire with the rapture of that curve. In it lies a kind of music in stone that might cure all emptiness.
