Eloisa James Quotes
You don't know how easy death is. It's - it's like a door. A person simply walks through it, and she's lost to you forever.
Quotes to Explore
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I enjoy mediation. I think the artist's position is often to mend the things we feel are broken. Whether that's between two cultures or two thoughts. We're always trying to reach, trying to expand something.
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After college, I went into the NBC Page Program. It's one of those great programs that allows kids to get their feet wet in every area of the business.
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I have hundreds and hundreds of people from Brazil, Chile, Columbia and Argentina, every day, buying my music and telling me about it online.
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Nobody has any conscience about adding to the improbabilities of a marvelous tale.
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Within a lot of African-American households, I think, there's an idea that black men don't want to take an active participation in the lives of their children. That if they do, there has to be some sort of ulterior motive.
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My eyelashes are divas, so they will like a mascara brand one week or for a month, and then they'll just stop working for it. I go back and forth between Maybelline and Cover Girl, and then I carry around a primer, too.
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I sometimes just don't like to see the Ultimate Fighting. I just find it, as a martial artist, I just find it too violent.
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Love is cheering and sharing and compassion and giving and receiving. Love is an action thing more than a word thing, that brings comfort or joy or relief to anyone or anything.
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Any press is good press. So keep on ragging me.
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If your reader has been given a rousing opening, he will usually then sit still for at least some exposition. But be sure to follow that chunk of telling with one or more dramatized scenes. That's much more effective than being given section after section of telling.
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Countless religious innovators over the years have played the game of establishing an identity for themselves by accentuating their otherness.
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I'm a good example of someone who can come to Hollywood and keep their feet on the ground with all the rock stars, all the drama that goes with being here. It's still important to pump your own gas and to be able to vacuum.
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The fact is, I diet every day of my life. I have to work at it. But I diet so I can pig out.
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It is very disappointing to see the Punjabi music scene of today. The lyrical quality has deteriorated; it is only people like Sartaaj and Gurdas Maan Ji who are sticking to their roots.
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Even at the end of a presidential election campaign, we have no way to know what Mitt Romney really believes.
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The things that are going to be in all my records, for as long as I'm making them, are going to go back to who I am and where I'm from and the lifestyle that I live and come from - and I don't know how I could ever get any of that close enough to pop to be considered a pop act.
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Sometimes you want a Part Two in your life.
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Our elders are always optimistic in their views of the present, pessimistic in their views of the future; youth is pessimistic toward the present and gloriously hopeful for the future. And it is this hope which is the lever of progress-one might say, the only lever of progress.
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Colour-blindness always extends to the complementary colours. Those who are red blind are also green blind; those who are blind to blue have no consciousness of yellow. This law holds good for all mental phenomena; it is a fundamental condition of consciousness.
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'Fiji can make a similar report on the US on all those issues. Our report would be far worse than the US state department's report on Fiji.' (2 March 2005, reacting to a US State Department report critical on the state of race relations in Fiji).
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Hopeless are those who suffers the curse of heaven-so be hopeful.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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Our knowledge springs from two fundamental sources of the mind; the first is the capacity of receiving representations (receptivity for impressions), the second is the power of knowing an object through these representations (spontaneity [in the production] of concepts).
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You don't know how easy death is. It's - it's like a door. A person simply walks through it, and she's lost to you forever.
