Bret Bielema Quotes
I like his strength, I like his gamesmanship. He sees an edge, he'll take it in a short fashion. He's got great power.
Quotes to Explore
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Trees and plants always look like the people they live with, somehow.
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Nothing is to come, and nothing past: But an eternal now, does always last.
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There is a requirement to ensure the withdrawal takes place in a civilized manner. We will be able to show the world we deserve independence and freedom.
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Polka dots are fabulous.
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I just do these 'Sleep' type tracks when the situation presents itself. I never set out to do them, like wait all day until I'm really tired or something. Gotta come natural.
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I have the simplest tastes. I am always satisfied with the best.
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It's obvious that the key problem facing humanity in the coming century is how to bring a better quality of life - for 8 billion or more people - without wrecking the environment entirely in the attempt.
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A man who has not been in Italy, is always conscious of an inferiority.
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The idea of being a painter, I've always thought, is better than being an artist or a sculptor.
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I had a farm in Africa, at the foot of the Ngong Hills. The Equator runs across these highlands, a hundred miles to the North, and the farm lay at an altitude of over six thousand feet. In the day-time you felt that you had got high up, near to the sun, but the early mornings and evenings were limpid and restful, and the nights were cold.
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The theatre is not the place for the musician. When the curtain is up the music interrupts the actor, and when it is down the music interrupts the audience.
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I care about my quality of life and money.
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To all the people that he hurt, I'm not - I can't be an apologist for David Koresh, but I feel for people that have had negative experiences at the hands of David. Let me put it that way. I think about those people, whether I agree with them on every point or not. Everyone has a right to their experience.
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There were episodes where I would wear seven or eight outfits. It took a lot of time to get those together. What the character wears is very essential to how I create the character.
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I don't really watch my moves all that often; I mean, really, I don't.
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I always have a book that I use that somehow inspires my novels.
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I've always wanted to play a samurai warrior.
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I always tell the adults at my dance school, 'Men, you are going to have to do something that you are absolutely not used to: you have got to take command and be the boss.' Because - and this is just an observation - women get their way.
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Would we prefer to be lifting it? Of course we would. You can't look back, we have to look forward and say what are we going to do get it back next year.
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Moving targets, ever-shifting theories, each one advanced to replace the last as it has fallen, fallen victim to the facts, ... Empty pots. Attractive containers, but when you take the lid off, you'll find nothing to sustain you.
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You can't be happy in a place like London when you don't have money.
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I work hard for the audience. It's entertainment. I don't need validation.
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The saloon is a liar. It promises good cheer and sends sorrow.
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I like his strength, I like his gamesmanship. He sees an edge, he'll take it in a short fashion. He's got great power.
