Brett Gelman Quotes
Even if somebody is maybe a little less qualified, you can bring them in, you can teach them, and it will also make your work better because you'll have different perspectives. Even if somebody is less talented, they're coming at it from a completely different perspective, and that helps your work.
Quotes to Explore
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In the back of my mind, I can never forget this could be gone tomorrow - and at this point I think the odds are against me... the chances of succeeding in this business are slim to none; there's only a handful of people that have long careers. You have to put in the work, you can never be satisfied, never take it for granted.
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I'd hopefully work through all my issues with men first so then I'd be okay being with a woman.
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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Museums are for dead artists. I'd never show my work in the Tate. You'd never get me in that place.
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Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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I would really love to work with Clint Eastwood.
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If your work becomes a source of enjoyment and a challenge, it will never seem like work - it will be fun. If you ever feel that your work is a burden, there is no point carrying on with it.
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People know not to mess with my friends or my family because it's not going to work out well for you.
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If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.
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One is not idle because one is absorbed. There is both visible and invisible labor. To contemplate is to toil, to think is to do. The crossed arms work, the clasped hands act. The eyes upturned to Heaven are an act of creation.
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I get paid to go work with people I've admired since forever, and I get to learn from them? What? I would pay to go sit and be a fly on the wall!
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I have always believed in quality work.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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Irvin Kershner, no matter what anyone says, has done some great work. 'Eyes of Laura Mars' is an incredible movie.
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It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud.
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I'd put it this way: Canadians want politicians to work together on their behalf. So that's what I'm committed to doing. I think it's been the goal of every NDP leader. Because we had a profound belief that we could do a good job on behalf of Canadians... if we were given that opportunity.
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I missed out on my childhood. I had to work hard, but I was immediately given a place in playback.
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All I'm ever looking for in my work in general is honesty and truth and people being real to themselves.
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As a child, one of my defense mechanisms was to try to be funny. My mom tried to nurture that by putting me in acting class. But I got bored when we stopped pretending to be trees and actually had to work.
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We tell them that we believe it will be beautiful because that is our specialty, we only create joy and beauty. We have never done a sad work. Through the drawings, we hope a majority will be able to visualize it.
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We have a lot of work to do in New Jersey, but I am darn proud we've brought our state back.
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I've always said that I count myself as a classical crossover artist. To be so, you have to have the core classical training, which I did for many, many years, but also be interested in the pop side of things. You can fit in somewhere in the middle. I feel I do that really well.
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I don't see myself as necessarily a very creative person. I'm a technical guy.
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Even if somebody is maybe a little less qualified, you can bring them in, you can teach them, and it will also make your work better because you'll have different perspectives. Even if somebody is less talented, they're coming at it from a completely different perspective, and that helps your work.
