Emile Chartier Quotes
Man himself is an enigma in motion; his questions never stay asked; whereas the mold, the footprint, and by natural extension, the statue itself, like the vaults, the arches, the temples with which man records his own passing, remain immobile and fix a moment of man's life, upon which one might endlessly meditate.
Quotes to Explore
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You can over-think things. If the script's good, everything you need is in there. I just try and feel it and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorising rather than being real.
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I've upped my standards. Now, up yours.
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As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
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I don't have a steady relationship. That's something that women in politics deal with. For some reason, men in politics seem to have a larger charisma, and women drop around their feet. I haven't noticed that so much for me.
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I was born with success. Lucky for me I am able to handle it. Also, I damn well deserve it!
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Unjust Cause: This art is worth more than ten thousand staters, that one should choose the worse cause, and nevertheless be victorious. (tr. Hickie 1853, vol. 1, Perseus)
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I actually started working in Chicago while I was still a student; I did the Chicago premiere of 'The History Boys' at the end of my junior year. I had come to Chicago for Northwestern University. I didn't quite know about the theater community, and what I did know was mostly the improv.
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We were supposed to get it the first of December.
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I had made myself the center of my own existence and had my back turned to God.
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But for real, for me, I feel like with the red lipstick thing it all depends on the pair of complexion. I'm just being for real. You have to be fair skinned to get away with that.
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If you're putting somebody down, you're doing it because you're just seeing a part of yourself that you don't like. That's all that is.
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Isn't Hollywood - and I love movies - a lot of it about a big lie?
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The real axis of social change is not horizontal, but vertical. We don't need a whole bunch of people gathering to think shallow thoughts together. What we need is for as many people as are ready to gather and think deep thoughts together.
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Science can tell us what exists; but to compare the worths, both of what exists and of what does not exist, we must consult not science, but what Pascal calls our heart.
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The notion of 'we' is very important. I think, for any family, any community to be able to say 'we' in this family, it means something. It's dangerous to society when somebody will place himself or herself on the outside of 'we.'
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Life wasn't like that before, and I couldn't previously accept that things might not work out the way I wanted.
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I'm much more careful now about who I let into my life, but I don't think you could ever change what you're attracted to. You can make choices if you want to be with those people.
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Symbols are the language of something invisible spoken in the visible world.
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Man himself is an enigma in motion; his questions never stay asked; whereas the mold, the footprint, and by natural extension, the statue itself, like the vaults, the arches, the temples with which man records his own passing, remain immobile and fix a moment of man's life, upon which one might endlessly meditate.
