Emily Barton Quotes
Historical fiction is a collaboration between the time in which it's written and the time that it's writing about and the far future, when we don't know what people are going to think about yet.
Quotes to Explore
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If women would today would rise en masse and demand their emancipation, the men would be compelled to grant it.
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There's a lot of things lost in the Digital Age.
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We tend in this country to talk about Democrats and Republicans, and think there's little group over there called Independents that's maybe 2%. That is not the case, and it has not been the case for most of modern American history.
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I wanted to see how flavors, spices, and grains traveled back and forth along the Silk Road and were interpreted by a multitude of cultures' palates.
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Being at the Apollo, I was always starstruck.
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The U.S. should worry about the effects of its polices on the rest of the world. We would like to live in a world where countries take into account the effect of their policies on other countries and do what is right, broadly, rather than what is just right given the circumstances of that country.
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I had a reporter ask me what it was like to have my best years over so soon. It stayed with me.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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It's an honor to live in and serve the great City of Los Angeles. I'm also immensely grateful for the support I've received from Ireland.
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Y'all have no idea how many times I say, 'Yes, ma'am.'
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I would love to work with the great movie actors of our time.
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In the U.K. there is still work to be done, particularly in schools, stopping the homophobic bullies in the playground and introducing unbiased discussion on gay issues in the classroom.
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Anytime something starts to feel like a popularity contest or not about the music, I'd rather just not be involved. I'm not a big high-fiver. That really gets to people around me when we have a No. 1 or something big happen. I'm not a big, 'Let's go have a party about it!'
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My deceased grandmother on my mom's side was a real fairy godmother, who lived to be 102 and who I always feel is looking after me.
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I'm rediscovering Scotland; I'm falling in love with it again.
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There are no Dave Marrs anymore.
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The emotional stuff is the biggest challenge, for me to access that. As life passes, you encounter difficulties and tragedies, and so it becomes easier. 'Carnivale' required that of me, and it was really hard.
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When I write with Maiden, then I write only with the guys in Maiden, we don't do songs from outside people.
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As I tell young people in workshops, 'It's your country. If you came here on the bottom of a slave ship, if your people came here seeking political freedom – however your folks got here – it belongs to you just as much as it belongs to anyone, so claim it. It's your birthright. America belongs to every person who is here.'
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It doesn't do any good to just be on the side of black people. The funnier comedic position is to be on the side of oppressed people in general.
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When you're young, with less on the line, it's easier to be audacious, to experiment. So I introduced the concerns of my generation - politics, sex, drugs, rock-and-roll, etc. - to the comics page, which for many years caused a rolling furor.
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The reaction to any word may be, in an individual, either a mob-reaction or an individual reaction. It is up to the individual to ask himself: Is my reaction individual, or am I merely reacting from my mob-self? When it comes to the so-called obscene words, I should say that hardly one person in a million escapes mob-reaction.
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Historical fiction is a collaboration between the time in which it's written and the time that it's writing about and the far future, when we don't know what people are going to think about yet.
