Emily Barton Quotes
Historical fiction is a collaboration between the time in which it's written and the time that it's writing about and the far future, when we don't know what people are going to think about yet.

Quotes to Explore
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If women would today would rise en masse and demand their emancipation, the men would be compelled to grant it.
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There's a lot of things lost in the Digital Age.
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We tend in this country to talk about Democrats and Republicans, and think there's little group over there called Independents that's maybe 2%. That is not the case, and it has not been the case for most of modern American history.
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I wanted to see how flavors, spices, and grains traveled back and forth along the Silk Road and were interpreted by a multitude of cultures' palates.
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Being at the Apollo, I was always starstruck.
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The U.S. should worry about the effects of its polices on the rest of the world. We would like to live in a world where countries take into account the effect of their policies on other countries and do what is right, broadly, rather than what is just right given the circumstances of that country.
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I had a reporter ask me what it was like to have my best years over so soon. It stayed with me.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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It's an honor to live in and serve the great City of Los Angeles. I'm also immensely grateful for the support I've received from Ireland.
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Y'all have no idea how many times I say, 'Yes, ma'am.'
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I would love to work with the great movie actors of our time.
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In the U.K. there is still work to be done, particularly in schools, stopping the homophobic bullies in the playground and introducing unbiased discussion on gay issues in the classroom.
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Anytime something starts to feel like a popularity contest or not about the music, I'd rather just not be involved. I'm not a big high-fiver. That really gets to people around me when we have a No. 1 or something big happen. I'm not a big, 'Let's go have a party about it!'
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My deceased grandmother on my mom's side was a real fairy godmother, who lived to be 102 and who I always feel is looking after me.
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I'm rediscovering Scotland; I'm falling in love with it again.
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There are no Dave Marrs anymore.
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The emotional stuff is the biggest challenge, for me to access that. As life passes, you encounter difficulties and tragedies, and so it becomes easier. 'Carnivale' required that of me, and it was really hard.
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The temptation is to think that Vicente Fox, who heads a country 46% of whose people would like to live in the United States, is but another failed Third World visionary prattling on for the benefit of globalists who have been beavering away on their impossible dream for generations...
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Great art speaks a language which every intelligent person can understand. The people who call themselves modernists today speak a different language.
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I think, as a writer, sometimes you do worry, 'Am I just writing, or am I putting the burden of African-Americans on my shoulder and carrying it?' But if we just write the stories that we're supposed to write, that's when we have the biggest impact.
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I have to say that I think that Anthony Eden was probably the most disastrous Prime Minister in our history, and I am not forgetting Lord North and a few people like that.
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An uplifting sense of purpose is more than an impetus for individual accomplishment, it is also a necessary insurance policy against expediency and impropriety.
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Historical fiction is a collaboration between the time in which it's written and the time that it's writing about and the far future, when we don't know what people are going to think about yet.