Emily Barton Quotes
Historical fiction is a collaboration between the time in which it's written and the time that it's writing about and the far future, when we don't know what people are going to think about yet.

Quotes to Explore
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If women would today would rise en masse and demand their emancipation, the men would be compelled to grant it.
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There's a lot of things lost in the Digital Age.
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We tend in this country to talk about Democrats and Republicans, and think there's little group over there called Independents that's maybe 2%. That is not the case, and it has not been the case for most of modern American history.
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I wanted to see how flavors, spices, and grains traveled back and forth along the Silk Road and were interpreted by a multitude of cultures' palates.
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Being at the Apollo, I was always starstruck.
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The U.S. should worry about the effects of its polices on the rest of the world. We would like to live in a world where countries take into account the effect of their policies on other countries and do what is right, broadly, rather than what is just right given the circumstances of that country.
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I had a reporter ask me what it was like to have my best years over so soon. It stayed with me.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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It's an honor to live in and serve the great City of Los Angeles. I'm also immensely grateful for the support I've received from Ireland.
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Y'all have no idea how many times I say, 'Yes, ma'am.'
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I would love to work with the great movie actors of our time.
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In the U.K. there is still work to be done, particularly in schools, stopping the homophobic bullies in the playground and introducing unbiased discussion on gay issues in the classroom.
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Anytime something starts to feel like a popularity contest or not about the music, I'd rather just not be involved. I'm not a big high-fiver. That really gets to people around me when we have a No. 1 or something big happen. I'm not a big, 'Let's go have a party about it!'
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My deceased grandmother on my mom's side was a real fairy godmother, who lived to be 102 and who I always feel is looking after me.
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I'm rediscovering Scotland; I'm falling in love with it again.
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There are no Dave Marrs anymore.
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The emotional stuff is the biggest challenge, for me to access that. As life passes, you encounter difficulties and tragedies, and so it becomes easier. 'Carnivale' required that of me, and it was really hard.
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I think sometimes I should do more carousing, because I don't do much and maybe it would be fun occasionally. It's hard for me to have fun and I'm a serious thinker and a searcher and funny from the front.
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I find that movies tend to fix the aesthetics of a story in people's minds.
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You grow up loving movies, and your first instinct is you want to be an actor, because those are the people you see in the movies. But when you actually become an actor, you're like, 'Oh, wait, this is actually only a small portion of the storytelling. If I want to really tell a story, I'd want to be a director.'
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I'm into song-writing; I'm into melodies that break your heart a little bit. That's the thing that got me into music; that's what I look for in music for the most part.
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Historical fiction is a collaboration between the time in which it's written and the time that it's writing about and the far future, when we don't know what people are going to think about yet.