Epes Sargent Quotes
Republics, like individuals, who are benefited by personal sacrifices, are proverbially ungrateful.
Quotes to Explore
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Do I want to write a musical? No. I like to do musicals.
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Disinterring famous people has become a kind of sport in the Hispanic world. Before Cervantes, it happened to Evita, Che Guevara, Federico Garcia Lorca, and Pablo Neruda.
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We make assumptions: nurses should be nice, teachers should be good. But everyone has a dark side, some darker than others.
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I'm not a princess anyway so I find that quite weird to be labelled as one.
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The mystery at the center of 'Burial Rites' is not who killed whom on the night of March 13, 1828. It is the mystery each of us encounters: Can we every truly know another? Can we ever truly know ourselves?
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There is never jealousy where there is not strong regard.
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Almost every evening in their common early-Cubist years, in Paris, either I went to Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's paintings. A canvas wasn't finished unless both of us felt it was. a remark of Picasso to Françoise Gilot, December 1908
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This is a revolution of the mind, get your mind together and get away from drugs.
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I'm a father. It isn't just my life any more. I don't want my kid finding bottles in the house or seeing his father completely smashed.
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Tell me he’s not talking to Brandon,” Claire said. “Um… Ok. He’s not talking to Brandon.” “You’re lying.” “Yeah. He’s talking to Brandon. Look, let Shane do his thing, okay? He’s not as stupid as he looks, mostly.
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It gets to the point where you're hot, you're hot, and when you're not, you're not. It's so true. I have to slow down soon.
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We're weird roman candles burning bright at both ends. At the end of the road's where this story begins. Where the green of the gulf meets the blue of the sea. What makes it all happen is still a mystery to me. But those crazy days and those crazy ways, we never want to undo. We'll be together, now and forever.
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I was struck by the way in which meanings are historically attached to words: it is so accidental, so remote, so twisted. A word is like a schoolgirl's room--a complete mess--so the great thing is to make out a way of seeing it all as ordered, as right, as inferred and following.
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That's what's great about show business. It's escapism. You pay your five bucks to get in and sit there and you're in another world. Forget about the problems in the world. It's wonderful.
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One thing we know for sure is that change is certain. Progress is not. Progress depends on the choices we make today for tomorrow and on whether we meet our challenges and protect our values.
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I am astonished at the high prices paid for works by painters who are dead, prices none of them could expect when they were alive. It is a kind of tulip trade, in which living painters suffer but do not profit.
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As my friend George Oppen once said to me about getting old: what a strange thing to happen to a little boy.
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It was the individuals who made their own rules in this situation. No one forced them to behave in an unkind manner. The opportunity to act decently toward us was always available to them. Only the tiniest number of them ever used it.
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The Barbarian Way was, in some sense, trying to create a volatile fuel to get people to step out and act. It's pretty hard to get a whole group of people moving together as individuals who are stepping into a more mystical, faith-oriented, dynamic kind of experience with Christ. So, I think Barbarian Way was my attempt to say, "Look, underneath what looks like invention, innovation and creativity is really a core mysticism that hears from God, and what is fueling this is something really ancient." That's what was really the core of The Barbarian Way.
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Republics, like individuals, who are benefited by personal sacrifices, are proverbially ungrateful.
