Pablo Picasso Quotes
Almost every evening in their common early-Cubist years, in Paris, either I went to Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's paintings. A canvas wasn't finished unless both of us felt it was. a remark of Picasso to Françoise Gilot, December 1908
Quotes to Explore
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I think a strong dollar is the result of policies, but I don't think the strong dollar is in and of itself a policy.
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If a political opponent has different approaches than mine, that doesn't make them a bad person. It means they have different backgrounds, experiences, and ideas.
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We've learned a lot about how information needs to flow effectively amongst a group of people. They need to be fed information, and it needs to be on this constant conveyor belt.
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The work that is truly productive is the domain of a steadily smaller and more elite fraction of humanity.
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I do get approached occasionally, but not a ton. I'm unrecognizable because I'm coated in cat hair and sweat. And there's a sort of yeti quality to my presence... so I don't think that people can see the face.
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We must plan for freedom, and not only for security, if for no other reason than that only freedom can make security secure.
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Of all Iraq's rocket scientists, none drew warier scrutiny abroad than Modher Sadeq-Saba Tamimi.
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I couldn't live on the singing at first, so I worked as a cleaner, in a launderette, in a garage, face painting and doing the windows of shops at Christmas, 'cause I had been to art college.
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Remember happiness doesn't depend upon who you are or what you have; it depends solely on what you think.
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The qubit acts as a bridge between the microscopic and the macroscopic worlds.
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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You can take the boy out of Bombay; you can't take Bombay out of the boy, you know.
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There are 309 million people out there that are trying to improve their lot in life. And we've got a system that allows them to do it.
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Modern man must descend the spiral of his own absurdity to the lowest point; only then can he look beyond it. It is obviously impossible to get around it, jump over it, or simply avoid it.
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My parents immigrated from Italy and spent 40 days and 40 stinking nights on a boat so we didn't have to eat things like gizzards.
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The most important thing for me is to walk the little alleys of the city, to find the little alcove where someone is cooking something, and just watch them do it. That's my idea of fun.
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Planning a dinner party in a way that you're actually capable of getting it done without panicking is important. It's bad hospitality for the host to be freaked out.
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We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.
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I know that I came into the world with what I call 'big dharma' - with a blueprint to teach self-reliance and a positive loving approach to large numbers of people all over the globe. I am ever so grateful for the circumstances of my life that allowed me to be pretty much left alone and to develop as I was so intended in this incarnation.
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I have always done exercise because I was a dancer, and it is probably good for you. I have done yoga consistently.
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For 35 years, I've said, 'I'll never go solo.' But after a period of time - and this isn't just for an artist, but for anybody - all the things you never wanted to do eventually become the only things left that you haven't done. So they start looking pretty interesting.
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The competition is very stiff. Brian Williams has proved himself as a credible news anchor (at NBC), and Bob Schieffer has done the same (at CBS). But as Peter and Tom (Brokaw) and Dan have always said about the competition, it makes us all better.
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We were taught to think that Paris was the center of the universe.
Etel Adnan -
Almost every evening in their common early-Cubist years, in Paris, either I went to Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's paintings. A canvas wasn't finished unless both of us felt it was. a remark of Picasso to Françoise Gilot, December 1908
