Ernst Ludwig Kirchner Quotes
A painter paints the appearance of things, not their objective correctness, in fact he creates new appearances of things.
Quotes to Explore
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The majority of men meet with failure because of their lack of persistence in creating new plans to take the place of those which fail.
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Men get laid, but women get screwed.
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When I started out in the industry I was 14 and a beanpole, but over the last few years I've grown. For the most part I feel pretty OK with how I look. I know I'm different from the typical Hollywood ideal of what is beautiful. But quite frankly I don't think that's attainable, and I'm happy to represent something different.
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As things are, and as fundamentally they must always be, poetry is not a career, but a mug's game. No honest poet can ever feel quite sure of the permanent value of what he has written: He may have wasted his time and messed up his life for nothing.
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False praise is worse than no praise.
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I think it's important to remember that civil rights and economic rights are mutually dependent.
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Lady Madonna lying on the bed Listen to the music playing in your head.
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[On returning to the country] I went back to where I belonged.
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I know war as few other men now living know it, and nothing to me is more revolting. I have long advocated its complete abolition, as its very destructiveness on both friend and foe has rendered it useless as a method of settling international disputes.
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The only way to combat the murder that is war is to show the dirty combinations that make it and the criminals and swine that hope for it and the idiotic way they run it when they get it so that an honest man will distrust it as he would distrust a racket and refuse to be enslaved into it.
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The sage regards things as difficult, and thereby avoids difficulty.
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The best way of losing a cause is to abuse your opponent and to trade upon his weakness.
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From camp to camp, through the foul womb of night, The hum of either army stilly sounds, That the fixed sentinels almost receive The secret whispers of each other's watch. Fire answers fire, and through their play flames Each battle sees the other's umbered face. Steed threatens steed, in high and boastful neighs Piercing the night's dull ear; and from the tents The armorers accomplishing the knights, With busy hammers closing rivets up, Give dreadful note of preparation.
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Blow, winds, and crack your cheeks! Rage! Blow! You cataracts and hurricanoes, spout Till you have drenched our teeples, drowned the cocks! You sulphurour and thought-executing fires, Vaunt-couriers to oak-cleaving thunderbolts, Singe my white head! And thou, all-shaking thunder, Strike flat the thick rotundity o' the world! Crack nature's molds, all germens spill at once That make ingrateful man!
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Bernard Leach was the one who taught us that, because he, too, had started out as a painter and an etcher and had only gotten into ceramics by chance when he was in Japan trying to teach the Japanese how to do etching, which, as he said, they were not ready for yet.
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Correctness is clearly the prime quality. If a system does not do what it is supposed to do, then everything else about it matters little.
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Many Japanese painters and calligraphers would change their names intentionally to keep their relationship to the art always fresh. This way, others' expectations can be avoided.
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I think the job of movie reviewing can be really tough. If a film has layers that need to be thought about, it's easy to get missed the first time around.
