Ernst Ludwig Kirchner Quotes
The heaviest burden of all is the presence of the war and the increasing superficiality. It gives me incessantly the impression of a bloody carnival.. .I am now like the whores, I once painted in his Berlin-time: the merest brushstroke now, gone tomorrow. Nonetheless I am still trying to put my thoughts in order and, from all the confusion, create an image of time, which is my task, after all.
Quotes to Explore
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You didn't hear anything about 'Celtic Pride' when they had Sidney Wicks and Curtis Rowe and they were only winning 32 games a year.
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At nine, my mom used to tell me she saw an Olympic medalist in me. I used to take it as a joke, but she was very serious.
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One of the great things about music is that it has the capability of time travel - you smell a certain smell in the room and it takes you back to your childhood. I feel like music is able to do that, and it happens to me all the time.
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When I was a child people simply looked about them and were moderately happy; today they peer beyond the seven seas, bury themselves waist deep in tidings, and by and large what they see and hear makes them unutterably sad.
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I want to see more sports in schools.
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Bubbles was a very good dancer. Tremendous dancer. He was one of our leading dancers of the country at that time. And, of course, he didn't have much of a voice.
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When I eat better, I perform better.
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We needed to make a few more plays. I think field position was an issue and not being able to get enough plays when we needed to.
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Any life he'd ever heard of, his own included, was burdened with emotions - love, loss, jobs, jealousy, money, death, pain. But if you were Jewish, always there was this extra one, the added pull at your endurance, the one more thing. There was that line in Thoreau about 'quiet desperation' - that was indeed true of most men. But for some men and women, for some fathers and mothers and children, the world still contrived that one extra test, endless and unrelenting.
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I had an agent. When [Edward] Steichen was doing "The Family of Man", I went up to the office one day. I think Wayne Miller, who assisted Steichen with "The Family of Man," was up there and pulled out a bunch of pictures. So I got a message: "Take these pictures, call Steichen, make an appointment and take these pictures up there." And that's how I met him.
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I don't know what's good, or bad, or true. I let God worry about truth. I just want to know the momentary fact of things. Life isn't good, or bad, or true. It's merely factual. It's sensual. It's alive!
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This massacre in Orlando is therefore a further reminder of how easy it is for someone to get their hands on a weapon that lets them shoot people in a school or in a house of worship or a movie theater or in a nightclub. And we have to decide if that's the kind of country we want to be. And to actively do nothing is a decision, as well.
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I'm learning how to drown out the constant noise that is such an inseparable part of my life. I don't have to prove anything to anyone, I only have to follow my heart and concentrate on what I want to say to the world. I run my world.
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There is no form of conviction more intimate and irresistible than that which arises from the inward teaching of the Spirit.
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It is conceivable that religion may be morally useful without being intellectually sustainable.
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I just want to be there in love and in justice and in truth and in commitment to others, so that we can make of this old world a new world.
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I don't go and study other folks. I come from where I came from, as a kid, in the little black church I grew up in. And some of the things they did I rejected, because I could see that it was a manipulation and an exaggeration. My struggle is never to fool folks; to keep it authentic - who we are and who we are becoming - rather than to mimic or to translate what others do into my own terms.
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I just love hanging out with good company on a great, fun golf course.
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I was in orchestra in high school, but I really started when a friend of mine who's a drummer showed me some things. I was always just really fascinated with drums, it was the instrument I was always drawn towards. My ear sort of went to rhythmic aspects of music and songs.
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The heaviest burden of all is the presence of the war and the increasing superficiality. It gives me incessantly the impression of a bloody carnival.. .I am now like the whores, I once painted in his Berlin-time: the merest brushstroke now, gone tomorrow. Nonetheless I am still trying to put my thoughts in order and, from all the confusion, create an image of time, which is my task, after all.
