Ethel Smyth Quotes
The writer must resist this temptation to quote and do his best with his own tools. It would be most convenient for us musicians if, arrived at a given emotional crisis in our work, we could simply stick in a few bars of Brahms or Schubert. Indeed many composers have no hesitation in so doing. But I have never heard the practice defended; possibly because that hideous symbol of petty larceny, the inverted comma, cannot well be worked into a musical score.
Ethel Smyth
Quotes to Explore
I think Paris smells not just sweet but melancholy and curious, sometimes sad but always enticing and seductive. She's a city for the all senses, for artists and writers and musicians and dreamers, for fantasies, for long walks and wine and lovers and, yes, for mysteries.
M. J. Rose
I'm not a great writer.
E. L. James
When I was a little boy, they called me a liar, but now that I am grown up, they call me a writer.
Isaac Bashevis Singer
I've always thought that actors wanted to be pop musicians and pop musicians wanted to be actors.
Gary Kemp
Spandau Ballet
Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
Illinois Jacquet
I am the kind of writer that people think other people are reading.
V. S. Naipaul
I don't look at myself as a writer; I am a storyteller.
Vikas Swarup
Maybe because I began as a writer, I have a good ear for dialogue, and maybe being an English major - and that I also read a lot as a kid - if I hear somebody say something that I think's funny, or I find a situation or story, I'll try to work that into the movie.
Owen Wilson
My faith is, that there is a greater amount of revelation given to guide each man by the principles laid down in the Bible, by conscience, and by providence, than most men are aware of. It is not the light which is defective, it is an eye to see it.
Norman Macleod
I was always an independent, even when I had partners.
Samuel Goldwyn
The writer must resist this temptation to quote and do his best with his own tools. It would be most convenient for us musicians if, arrived at a given emotional crisis in our work, we could simply stick in a few bars of Brahms or Schubert. Indeed many composers have no hesitation in so doing. But I have never heard the practice defended; possibly because that hideous symbol of petty larceny, the inverted comma, cannot well be worked into a musical score.
Ethel Smyth