Etheridge Knight Quotes
Quotes to Explore
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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I love to drive in the Black Hills of Wyoming and South Dakota with Mount Rushmore as the central stop.
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Eddie Conway is central to my first memories. My parents used to take me to, when it was open, the Baltimore city penitentiary to see Eddie Conway - I was talking to my dad about this recently - from the time I might have been one or two years old. I mean, literally, my first memories are of black men in jail, specifically of Eddie Conway.
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At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
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I'm not on the run from anything and I'm not at all clear about what I'm running towards. But as some great writer put it, I want to be certain that when I arrive at death, I'm totally exhausted.
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I wouldn't mind at all coming back to earth after my death.
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I think the mythology of death really ran away with me when I was very young.
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The No. 1 cause of preventable death for young black men is not auto accidents or accidental drowning, but homicide.
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There was a certain feeling I developed as a young person for black people. Somehow they were able to get pleasure out of things that I couldn't see them enjoying. I heard them sing a lot, and I didn't hear white folks going down the cotton rows singing that much.
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As an Egyptian, I was always frustrated, just like many young Egyptians, of the situation in the country. And to a large extent, we didn't know what could we do. And looking at Khaled's photo after his death; basically I just felt that we are all Khaled Said.
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A lot of people have called me the black Bette Midler, and I regard that as a compliment.
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I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
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I always liked the visuals to be choice and at the same time minimalist. And, I love black boxes. After all, that's what theatre is, it's an empty space, and it's both limited and unlimited because the space is the space, but what you can do with people's imaginations is really endless.
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Thunder-spasms the waking be Into Life from Apathy: Life, not Death, is in the gale, - Let the coming Doom prevail!
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From my mother's sleep I fell into the State,And I hunched in its belly till my wet fur froze.Six miles from earth, loosed from its dream of life,I woke to black flak and the nightmare fighters.When I died they washed me out of the turret with a hose.
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The fountain of death makes the still water of life play.
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It is the sincerest thing I have written, caught by the drama of a soul struggling in the contrary toils of love and religion - death brought them into harmony.
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Poetry has the virtue of being able to say twice as much as prose in half the time, and the drawback, if you do not give it your full attention, of seeming to say half as much in twice the time.
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Everyone has the same kind of fears; everyone has the same big problems in the world, which is, like, fear of death and 'I hope horrible things don't happen to my family,' but they do. And I think people laugh at them as this great release.
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Slashing its way to the finish line, 'Black Swan' is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
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The subject of history is the gradual realization of all that is practically necessary.
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Our country will not stand for any political plan that includes amnesty for insurgents.
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Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book.
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Let all Black Poets die as trumpets, And be buried in the dust of marching feet.
