Eugene Richards Quotes
Photojournalist? With a few exceptions, those of us working as photojournalists might now more appropriately call ourselves illustrators. For, unlike real reporters, whose job it is to document what's going down, most of us go out in the world expecting to give form to the magazine, or to newspaper editor's ideas, using what's become over the years a pretty standardized visual language. So we search for what is instantly recognizable, supportive of the text, easiest to digest, or most marketable - more mundane realities be damned.
Quotes to Explore
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My activism and sexual revolution in New York was a factor.
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It is indeed hard for the strong to be just to the weak, but acting justly always has its rewards.
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Well into the 20th century, black people spoke of their flight from Mississippi in much the same manner as their runagate ancestors had.
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The utilization of flat roofs as 'grounds' offers us a means of re-acclimatizing nature amidst the stony deserts of our great towns; for the plots from which she has been evicted to make room for buildings can be given back to her up aloft.
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Nobody ever wants to really make someone feel bad.
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I am trying to concentrate on books. You know, I love Dostoevsky; he's my favourite writer.
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The motivation should come from regulatory enforcement, but enforcement is weak, and environmental litigation is near to impossible. So there's an urgent need for extensive public participation to generate another kind of motivation.
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It is an immutable law in business that words are words, explanations are explanations, promises are promises-but only performance is reality.
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The voice has to be very clear at all times in order to convey the emotion.
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For me, it's not about being the best designer. I'm interested in being the best partner. The best collaborator.
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Accustom yourself continually to make many acts of love, for they enkindle and melt the soul.
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A life lived in fear is a life half lived.
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I loved going to superhero films growing up - you come home, and you pretend to be those people, and it ends up informing much of what you aspire to be. And that's what I will say is important about the genre.
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I think Himalayan climbers tend to mature fairly late. I think most of the successful Himalayan climbers have ranged from 28 to just over 40, really.
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He told Dorothy he had brushed his shaggy hair and whiskers; but she thought he must have brushed them the wrong way, for they were quite as shaggy as before.
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No movement calls migrant workers oppressed for providing money for women from whom they are receiving neither cooking nor cleaning; for providing their wives with homes while they sleep on the ground.
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That I even get to play a sold-out show where people know the words and I'm singing about things I'm connected to is such a blessing. It's the equivalent of a nine-year-old saying, 'I want to be an astronaut when I grow up,' and then getting to go to the moon.
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In the old days, you dealt with one regulator. Now it's five or six. You all should ask the question how American that is.
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The first job I got was a production of 'Fame - the Musical,' at the North Shore Music Theatre in Beverly, Massachusetts, and it got me my Equity card, too. I waited 12 hours to be seen for it, though!
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For some reason, lots of terrible things start here and then spread. The Cold War was one. It didn't start in Berlin - it started in Athens in December 1944; the contagion in the eurozone started here in 2010. We are perfectly capable as Europeans of messing things up unnecessarily.
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I see myself as a mascot for the kids who get beat down and don't feel like they belong.
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There is no sin but ignorance.
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Things go in cycles. It's like fashion, like flares go out then skinny jeans come in, people want something fresh. It's the strongest ever urban scene at the moment and I hope it can progress and keep getting stronger and be the base for something larger.
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Photojournalist? With a few exceptions, those of us working as photojournalists might now more appropriately call ourselves illustrators. For, unlike real reporters, whose job it is to document what's going down, most of us go out in the world expecting to give form to the magazine, or to newspaper editor's ideas, using what's become over the years a pretty standardized visual language. So we search for what is instantly recognizable, supportive of the text, easiest to digest, or most marketable - more mundane realities be damned.
