Patricia Cornwell Quotes
Quotes to Explore
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When you have that connection to say, 'I'm going to play for something bigger than myself,' man, you have a chance to do something good.
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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The cutting room is where you discover the optimal length of the movie.
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I chose to present myself as one who comes from among the people, and I can be touched by their pain because I have my own.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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I like to think of my customer and make sure that season after season she is getting what she wants. Ultimately, I suppose I have an image of myself. That is the person I am designing for - a woman who loves and appreciates fashion and luxury, and somebody who wants to feel empowered with the best version of themselves.
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An incident that left an impression on me was the 1999 sub-junior national boxing championship held in Calcutta. I had trained extremely hard to get there but got kicked out in the first round itself. 'If others can win, why can't you?' I repeatedly asked myself.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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Every story I create, creates me. I write to create myself.
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I have really high expectations for myself, so I just want to go out there and compete.
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Where there is no struggle, there is no strength.
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I'm a light sleeper. I've never been one of those people who can put their head down and suddenly everything disappears. Nighttime is the time I get most scared, anxious or worried. In those darker moments before waking or sleeping is when I feel most, I don't know, I can turn on myself, and my imagination can take me dark places.
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I don't regret what I did in the Sixties. I was young and took myself terribly seriously. In the Seventies, I spent too much time in inner-party factional disputes.
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I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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I get 0.5 seconds to react to a ball, sometimes even less than that. I can't be thinking of what XYZ has said about me. I need to surrender myself to my natural instincts. My subconscious mind knows exactly what to do. It is trained to react. At home, my family doesn't discuss media coverage.
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I had to pick myself up and get on with it, do it all over again, only even better this time.
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We're still not where we're going, but we're not where we were.
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Stress and looks are directly connected as far as I am concerned. If you are happy, you look good.
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With 'Mask,' 'Smooth Talk' and 'Blue Velvet,' I loved the specific experiences so much. Each one was a specific filmmaker with a specific vision.
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I spent a lot of time with the LAPD. I spent six weeks training, weapons training, ride-alongs, surveillance, interviewing them, in all different departments and divisions.
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I won't put myself in a position where I'm vulnerable.
