Patricia Cornwell Quotes
Quotes to Explore
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When you have that connection to say, 'I'm going to play for something bigger than myself,' man, you have a chance to do something good.
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The cutting room is where you discover the optimal length of the movie.
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I chose to present myself as one who comes from among the people, and I can be touched by their pain because I have my own.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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I like to think of my customer and make sure that season after season she is getting what she wants. Ultimately, I suppose I have an image of myself. That is the person I am designing for - a woman who loves and appreciates fashion and luxury, and somebody who wants to feel empowered with the best version of themselves.
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An incident that left an impression on me was the 1999 sub-junior national boxing championship held in Calcutta. I had trained extremely hard to get there but got kicked out in the first round itself. 'If others can win, why can't you?' I repeatedly asked myself.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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Every story I create, creates me. I write to create myself.
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I have really high expectations for myself, so I just want to go out there and compete.
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Where there is no struggle, there is no strength.
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I'm a light sleeper. I've never been one of those people who can put their head down and suddenly everything disappears. Nighttime is the time I get most scared, anxious or worried. In those darker moments before waking or sleeping is when I feel most, I don't know, I can turn on myself, and my imagination can take me dark places.
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I don't regret what I did in the Sixties. I was young and took myself terribly seriously. In the Seventies, I spent too much time in inner-party factional disputes.
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I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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I get 0.5 seconds to react to a ball, sometimes even less than that. I can't be thinking of what XYZ has said about me. I need to surrender myself to my natural instincts. My subconscious mind knows exactly what to do. It is trained to react. At home, my family doesn't discuss media coverage.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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I'm always trying to do stuff I haven't done before or challenge myself so I'm not resting on my laurels all of the time because if I just found my little niche and never left it, I'd be pretty boring, I think.
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I get upset about what is taken as great literature and what is cute and exotic.
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Food became for me a way of becoming self-sufficient with my hands, to regain manual literacy, which I think has been lost on our generation and certainly younger generations. Very few people can actually make things with their hands and do things with their hands.
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For me, the highest level of sexual excitement is in a monogamous relationship.
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A lot of what is most beautiful about the world arises from struggle.
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I won't put myself in a position where I'm vulnerable.
