Burt Reynolds Quotes
I love Stroker Ace. I love the whole team. Jim Nabors really stole the show, and Ned Beatty, well I've made more of my movies with Ned Beatty than anybody else.
Quotes to Explore
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I believe very strongly in the value of having a diverse team around me that comes from very different backgrounds and different points of view.
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Every time - well, not every time, but in celebration of a great review or a great accolade, I take the team of Daniel to Katz's Deli for lunch. We take the trip on the subway, we were like 40 or 50 people, and we go in the back room and have a pastrami sandwich.
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I'm trying to work in studio movies, but they won't hire me.
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We all know guys who've had their hearts broken in real life; we just don't usually see it in the movies.
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It's important that people come see our show, because we are performers. We wanted people to see that.
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Doing voices in animated movies has been one of my dreams. You get to go and act, and you don't have to put on makeup.
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Obviously, you want to help the team win in any way possible. If that's scoring goals, great.
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And you also have to do movies that are about commerce because that's what is required of the industry today.
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As a hockey player, playing for an Original Six team at Madison Square Garden, where it's packed every night, there's nothing like it.
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Baseball is a team game.
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I use that as my responsibility on the show, to be the pragmatist.
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My childhood was a happy one. I was captain of the school sports team and played cricket after class. I had five younger siblings and a large loving family that lived together. We are still very close.
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The fact of the matter is, it's hard to find good movies, period.
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You walk into the class in second grade. You can't read. What are you going to do if you're going to make it? You identify the smart kid. You make friends with him. You sit next to him. You grow a team around you. You delegate your work to others. You learn how to talk your way out of a tight spot.
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I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
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Decisions are made by those who show up.
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The first thing I learned about weapons is respect, and that carries into movies as well. If you're on set and you're dealing with weapons, live or not, you respect the weapon; you know how to handle it appropriately.
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The championship always goes to the team that wins the most rounds and is the most prepared. I think everybody on our team works hard towards keeping that goal. Time will tell if we're prepared or not.
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I think that's part of building your team is trying to anticipate where your team is going and to a certain extent where, especially defensively because you have to react to what they put on the field. Defensively you have to be able to defend those things.
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How full of trifles everything is! It is only one's thoughts that fill a room with something more than furniture.
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The plate at each point only sends back to the eye the simple colour imprinted. The other colours are destroyed by interference. The eye thus perceives at each point the constituent colour of the image.
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But I'm not as bad as Al Pacino - he doesn't even know what month it is half the time when he's working.
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I love Stroker Ace. I love the whole team. Jim Nabors really stole the show, and Ned Beatty, well I've made more of my movies with Ned Beatty than anybody else.
