Burt Reynolds Quotes
Quotes to Explore
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Don't assume that the answers are out there in the form of somebody else already doing something. Sometimes they are. But you have to think beyond that.
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I was complexed and awkward that I was good for nothing and was always lying. I would lie to my school friends that I was a stud in my colony and to my colony friends that I was a stud in the school cricket and football teams, though I was in no team.
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You know, I'm an African-American quarterback. That may scare a lot of people because they – they haven't seen nothing that they can compare me to.
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I'm open to all the elements, I'm definitely ready to take anything on. But I don't want to jump too far into the deep end.
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I had such an amazing time filming 'Major Movie Star.' I loved everyone in the cast. They all brought their own spirit to the film, and I hope that is what will be seen on screen.
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The 'We Have Overcome' generation has run out of intellectual creativity but refuses to leave the political stage.
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Do you know what I love about hunting? That I am no one in the woods, no one at all. I thought the animals might recognize me, but they didn't. They did not even ask me for any autographs.
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While I was boxing professionally, I never thought about my looks. The furthest thing from my mind was 'messing up my pretty face' when I was on my way to the ring to meet my opponent. Yet, people I'd meet along the way would always ask me if I was worried about my looks. Then they would go on to say that I was 'too pretty to box.'
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I'd like to be more spontaneous.
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What do you want me to do, rob a bank?
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At 140, 150, that's when the car starts floating. At 160, that's when you start seeing dead relatives. At 180, it's, like, terrifying and exciting.
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'Freedom from fear' could be said to sum up the whole philosophy of human rights.
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It's true, too, that I'm tired of using books as political bullets and grenades. Books are too precious and wonderful to be used for long in such a fashion.
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Should you create a protagonist based directly on yourself? The problem with this - and it is a very large problem - is that almost no one can view himself objectively on the page. As the writer, you're too close to your own complicated makeup.
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The ideal and the beautiful are identical; the ideal corresponds to the idea, and beauty to form; hence idea and substance are cognate.
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'Why won't anyone ever answer my questions?''Because you never stop asking them and especially because you keep asking them even when it's clear that nobody knows the answers.''Well, how do I know that they don't know the answer unless I ask?'
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'I bound her to me in all soft ways,I bound her to me in a net of days,Yet now she has gone in silence and said no word.How can we face these dazzling things, I ask you?There is no use: we cry: and are not heard.
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The Old Vegas is gone. It's not that it's necessarily better or worse; it's just totally different.
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A journal is your completely unaltered voice - it's just for you. And if you know that voice, and you like it, you can bring it out to everyone else, and that's the most honest and vulnerable thing you can do.
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I think when you're a director, it's hard to do something unless you're absolutely over-the-moon in love with it. The audience, they spend 90 minutes with it, but for you, it's anywhere between a year and a half to three years of your life, every day, working on it.
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The question I'm always asking myself is: are we masters or victims? Do we make history, or does history make us? Do we shape the world, or are we just shaped by it? The question of do we have agency in our lives or whether we are just passive victims of events is, I think, a great question, and one that I have always tried to ask.
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I'm pretty peaceful and calm and sweet.
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We do not suffer by accident. It does not often happen that the interference of friends will persuade a young man of independent fortune to think no more of a girl whom he was violently in love with only a few days before.
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Money doesn't buy happiness. It buys great hookers - but not happiness.
