Burton Malkiel Quotes
Quotes to Explore
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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I think people are going to like my new shoes. I like them. I had a lot of success with the one last year, but this year's shoe is going to be a little different, but at the same time it's going to be a little spin-off on last year's shoe.
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Mickey Mouse popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.
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While others prayed for the good time coming, I worked for it.
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Every idea has its time.
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Risk is the sort of word that is easy to discuss upfront but tough to handle when it comes time to pay the piper. There will always be some who wimp out and second-guess when the pain hits, but that is a childish reaction.
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The one thing that I appear to have been given, bearing in mind that I am capable of being very, very scatty and extremely lazy, is the ability to concentrate on something I choose to give my time to.
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Is it crazy to say that I don't often eat breakfast? But every time I go to a diner, I have to have a breakfast-type item, even if it's 11:30 at night. I love my morning eats!
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I always used to deny this, but I guess what I'm really saying is that I was writing to shock... And I dug deep and dredged up all kinds of vile things which fascinated me at the time.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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Children, in a way, are constant learners. Certainly sponge-like. Absorbing everything without careful analysis, even though, at the same time, they are certainly capable of incredible insights.
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If only I could step back into the time of old movies, if only I could be given the opportunity to do what Katharine Hepburn did or what Rosalind Russell did. Those kinds of characters, that kind of patter, that kind of language, that kind of script. They don't exist any more.
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The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
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I think it's important if you are an actor, if you are portraying human life, you have to connect with what is human. It's not easy if you spend a lot of time in L.A. and get sucked into the hedonism of the industry.
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I'm not difficult to work with, trust me.
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By the time I started doing TV and film, I was in my forties, so I wasn't going to do the young up-and-comer.
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I cannot imagine myself fitting into the existing curriculum. I am too self-willed for that and have had my own very definite ideas for a long time, very different from the existing ways, as to how architecture is to be taught.
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The Seventies seemed like this really open time. There were a lot of strong women characters deciding what kind of artists they wanted to be.
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My biggest fight has been between those who wanted to do something incremental and those who wanted to do something comprehensive. We won that fight, and once we kick through this door, there'll be more legislation to follow.
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If God listened to the prayers of men, all men would quickly have perished: for they are forever praying for evil against one another.
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A longstanding dream of mine is to adapt 'Dune,' but it's a long process to get the rights, and I don't think I will succeed.
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I wasn't born, I was ordered from room service.
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When I was 14, I used to have a calendar on my wall, crossing the days off until I was 15, because the school leaving age was 15. Then three months before I turned 15 they changed the leaving age to 16.
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Trust in time rather than timing.
