Burton Malkiel Quotes
Quotes to Explore
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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Mickey Mouse popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.
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While others prayed for the good time coming, I worked for it.
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Every idea has its time.
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Risk is the sort of word that is easy to discuss upfront but tough to handle when it comes time to pay the piper. There will always be some who wimp out and second-guess when the pain hits, but that is a childish reaction.
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The one thing that I appear to have been given, bearing in mind that I am capable of being very, very scatty and extremely lazy, is the ability to concentrate on something I choose to give my time to.
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Is it crazy to say that I don't often eat breakfast? But every time I go to a diner, I have to have a breakfast-type item, even if it's 11:30 at night. I love my morning eats!
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I always used to deny this, but I guess what I'm really saying is that I was writing to shock... And I dug deep and dredged up all kinds of vile things which fascinated me at the time.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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Children, in a way, are constant learners. Certainly sponge-like. Absorbing everything without careful analysis, even though, at the same time, they are certainly capable of incredible insights.
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If only I could step back into the time of old movies, if only I could be given the opportunity to do what Katharine Hepburn did or what Rosalind Russell did. Those kinds of characters, that kind of patter, that kind of language, that kind of script. They don't exist any more.
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The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
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I think it's important if you are an actor, if you are portraying human life, you have to connect with what is human. It's not easy if you spend a lot of time in L.A. and get sucked into the hedonism of the industry.
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I'm not difficult to work with, trust me.
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By the time I started doing TV and film, I was in my forties, so I wasn't going to do the young up-and-comer.
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I cannot imagine myself fitting into the existing curriculum. I am too self-willed for that and have had my own very definite ideas for a long time, very different from the existing ways, as to how architecture is to be taught.
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The Seventies seemed like this really open time. There were a lot of strong women characters deciding what kind of artists they wanted to be.
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It's the nature of the beast, playing sports on the ski team and how competitive all of us are. I want to beat everybody's time.
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I am big on not pushing anything that I wouldn't do or use. I understand my brand, vision, and the story I want to tell. I am not into taking short-cuts like tummy teas or waist trainers. I want my brand to be a lifestyle and very premium but, at the same time, relatable.
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If a thing is worth doing, it is worth doing well. If it is worth having, it is worth waiting for. If it is worth attaining, it is worth fighting for. If it is worth experiencing, it is worth putting aside time for.
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There's never a case of, 'Ooh, I touched a nerve there.' It's make believe.
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I'm very fun; I like to have fun, and I don't like to take life too serious, so of course everybody saw me as the outgoing fun one and the crazy one.
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Trust in time rather than timing.
