Zoe Kravitz Quotes
Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
Quotes to Explore
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I make a mean cup of coffee, if you give me the right ingredients.
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I have a nice smile, pretty lips, and big round cheeks. They help me look like a teenager.
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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The thing about Precious, she's so far from a Hollywood character. She's so honest and real, I definitely felt like I knew her.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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When I first came out, country wouldn't touch me because I was way too rock, and rock wouldn't touch me because I was definitely country.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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My mom helped me get started when I was younger. I started with singing. An agent saw me singing on stage at the Palm Springs Festival, and recommended I get into acting, so I was like, 'Oh, okay.' I just started from there, singing and acting.
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I love diamond facials - they leave me glowing and refreshed.
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I think what people get confused about is that they want to label me as this EDM girl, but a lot of this stuff is genre-less.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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I'm a total loner. I can't even answer texts or take my phone with me when I'm working!
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The Web forces me to be disciplined and not to waste time – but before the Web was invented, there were plenty of opportunities to do that anyway.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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What happens with every role, you have to trick yourself, you have to creatively find ways to explore the mental state of your character.
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My camps are always ten weeks. That's what makes me comfortable.
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There's not a blueprint for me to follow.
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Rock was always part of my heart and soul. But the times just changed and everybody wanted to dance.
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I read Carver. Julio Cortazar. Amis's essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn't sound like me.
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What a director really does is set the emotional temperature and the mood and the level, amount, or lack of, distance between the action and the character, and the character and the audience.
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From the rough, I'd use a 6-iron, play the ball back an inch or two and swing down on a steeper angle to catch the ball first. It also helps to aim slightly left and open the clubface at address. You'll get more height on the shot, and the club will cut through the grass more easily.
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Focus on your product. A lot of people focus on the name of their brand or the legal aspects, but it's more important to create your product. It's why people join. It's your vision. Without your product, nothing is going to happen.
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I feel very lucky that when I'm burnt out of acting, I take to the pen, and I write something I want to direct. And then, when I'm tired of taking on too much responsibility as a director, I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
