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I never dreamed that my future would be my husband's past. But it's such a huge past in terms of the recorded content.
Gail Zappa -
If you've ever had to recall your past in some way and you open a drawer of old photographs that your parents kept, there are always pictures of you smiling and charming, and then a bunch of people you don't know who they are. Could be aunts, uncles, could be the postman for all you know. Who are these people? Your parents are never in the picture, because they are the ones taking them. So you've got these unrelated images that are disconnected from your memories.
Gail Zappa
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Frank [Zappa] always wanted to do a sound library - he sampled so many great musicians. For piano, for example, he sampled every octave, not just one (that you could just transpose electronically), and he did all different types of attack, with and without pedals, all that kind of stuff.
Gail Zappa -
It's the ultimate identity theft when you start messing with somebody's work. Thinking that you could edit the work, or mix it differently, or re-EQ it, or make claims about it that aren't true.
Gail Zappa -
The problem with composers is that they are the most unrequired job in America.
Gail Zappa -
I think it's okay that there's digital music out there, because that does mean more people have access. I mean, you're a student, and you're studying music, and you want to find a CD of a whole work, but there's one piece that intrigues you. It's easy to get that piece for a dollar for the most part. And it's so easy for people to carry around music digitally.
Gail Zappa -
Certainly Apple has improved enormously. At the beginning, the sampling rate was an issue for me, but a bigger argument was over digital rights, which I had.
Gail Zappa -
Frank [Zappa] was not a big fan of having lyrics, but sometimes he had things to say that lent themselves to lyrics.
Gail Zappa