Kate Wilhelm Quotes
PRIMAL TEARS is a novel of tremendous power. Passionate and erotic, at times tenderly lyrical, it confronts head-on, without flinching, brutal environmental and feminist politics. Its protagonist, Sage, is unique, magical, and haunting.
Quotes to Explore
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I think studies are really important and shouldn't be compromised.
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I don't think about the future. I don't think about the past. I just think of what comes into my head at the time. So that might be about the past, that might be about the future. Or, the present.
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I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
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Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
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Only legislative, judicial, and executive action can completely guarantee the victory of the free world.
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If you think health care is expensive now, just wait 'til it's free.
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What I can tell them is the way you become an Olympic champion is to start working now. I tell them why it's always worth it to put the time and effort into something you want to be good at.
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I wrote my first play as extra credit for my fourth grade English class. 'Can Helen Stop Smoking' was a satire on the ill effects of cigarette smoking. My friend Vicki Haugabrook played as Helen and I directed the show. At the time, my brother Vince was leading the campaign to get our grandmother to quit.
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'No one can make you successful; the will to success comes from within.' I've made this my motto. I've internalized it to the point of understanding that the success of my actions and/or endeavors doesn't depend on anyone else, and that includes a possible failure.
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'The X Factor' was the final push I needed to have the presence and confidence on stage, which I didn't have before. It's a crash course in the music industry. If you can survive the show, you're ready for the industry.
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I only did about one novel a year while I was working full time, but since 1993, I've averaged two and a half books a year.
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I'm comfortable and confident about the future.
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Intelligence consists in ignoring things that are irrelevant.
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The self really is an illusion-and realizing this is the basis of spiritual life.
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I loved the 'Three Stooges.' I still do - nyuk, nyuk.
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I know it's so 'in' to be blase, but that's not going to get you anywhere.
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If you are a real leader, every single thing is your fault.
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I hired a publicist once I got cast in 'Passing Strange,' and one of the first conversations we had was about how I wanted to handle talking about my sexuality. I said, 'It's never been an issue for me. I want to talk about my work, but if something about myself relates to my work, of course I'll talk about it.'
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I was a child of World War Two . I saw films of pilots taking off from aircraft carriers and decided that was the only thing I wanted to do. And it had to be flying from sea carriers. Airfields were not enough.
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Much of the demand for women in combat comes from female officers who are eager for medals and promotions.
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I think everyone's experience with a terminal disease is so deeply personal and unique to the person, the context in which they're living and the relationships that they have.
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I was mostly bullied by my classmates. People would come up to me and say, 'You're so dark.' I'd always fight back by calling out one of their insecurities, like, 'Well, you have a big nose.' Today, I'd tell them that I really love them. I'd thank them because they made me realize how unique I am.
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Celebrate yourself. Follow your passions and eccentricities, because they are yours alone. You are unique! If everyone did that, I'm pretty sure there would be world peace.
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PRIMAL TEARS is a novel of tremendous power. Passionate and erotic, at times tenderly lyrical, it confronts head-on, without flinching, brutal environmental and feminist politics. Its protagonist, Sage, is unique, magical, and haunting.
