Gary Saul Morson Quotes
Not everything that can be extracted appears in anthologies of quotations, in commonplace books, or on the back of Celestial Seasonings boxes. Only certain sorts of extracts become quotations.
Quotes to Explore
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Digital presentation is just television in public; we're all just getting together and watching TV without pointing the remote control at the screen.
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This is who I am: a flyspeck of human vanity in a trillion miles of stone-dead interstellar space; a graceless lump of flesh and fear in a remote desert where nearly everything that I can see or touch is designed to hurt me.
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For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
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I have never found out that there was in my family an artist or anyone interested in the arts or sciences, and I have never been sufficiently interested in my 'family tree' to bother. My father and mother had come to America on one of those great waves of immigration that followed persecution and pogroms in Czarist Russia and Poland.
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Hard courts are very negative for the body. I know the sport is a business and creating these courts is easier than clay or grass, but I am 100 per cent sure it is wrong.
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I don't like crazy names. I don't like them. I don't think it makes any sense. You have to think about the child and, as they get older, what they have to deal with. A lot of people do things as a fad, and they want to get some attention, but it's like, this is your child.
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All the best parts of art come from pain turned to celebration.
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I wasn't a comic book aficionado at all when I was a kid, but my cousin Weed was. Every time we went to visit him on the farm, he had two really fun things: comedy albums and comic books.
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I would probably say that being a commissioner in sports is one of the hardest jobs in the world.
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I came from poverty and was part of those circumstances.
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The IFP is here to put into practice what we preach.
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I find the education I got from living in Derby and being streetwise and knowing the people that I know, the lessons that I had to learn growing up, have set me in good stead for this kind of working life.
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We'll always need energy. We need to communicate, too, but we're not stuck with hand gestures and smoke signals. There are better ways to power our future than by digging fossil fuel from the ground and setting it on fire.
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But though I repeated my plea, and waited on my knees for nearly an hour, there was no answer.
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La tierra tiene lo que tú levantas de la tierra. Nada más tiene.
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I am often compared to actors who were launched with me. I feel blessed with whatever I have got so far.
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My entire philosophy of teaching is based on the notion that when an artist finds a certain process really effortless, that's probably what he or she should choose to do. So often, students take the opposite tack; they have no use for the skills that come easily to them.
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Gershwin inspired me very much. The concept of 'That Lucky Old Sun' was inspired by 'Rhapsody in Blue' - not influenced, but inspired.
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The scheme they had on defense for us was something quite a few people up here can play.
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When I did my first film, I was in college; I did it as a senior thesis. The original version was 60 minutes. But I developed it and made it almost 90 minutes. In 2007, it premiered in Venice, and I stopped in London to develop a script with my dad that fell apart, and we started 'Gravity.'
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Dealing with the unknown, the unexpected, is a reflection for me musically of what's happening in the world, because people are learning how to dialog with each other without any past strategy or any kind of formula from the past.
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We're all inclined to think we have a monopoly on each new sensation that comes to us, that it's our own particular little grievance. But every feeling and every thought you may have now has probably been felt and thought by mothers from the time the world began.
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Not everything that can be extracted appears in anthologies of quotations, in commonplace books, or on the back of Celestial Seasonings boxes. Only certain sorts of extracts become quotations.
