Karl Lagerfeld Quotes
Quotes to Explore
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I'm gradually beginning to feel that we Chinese need to be controlled. If we're not being controlled, we'll just do what we want.
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I want to do my hard dives really well, I want to see what my true potential in this sport really is. I want to grasp that.
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I want variety. I certainly don't want any kind of hype if I can avoid it. I'm trying to play parts which are a little more out there, but I want variety, I suppose, because - like a lot of people - I'm easily bored.
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I feel like acting is a ton of fun. It's the freest and most alive you can be.
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I feel very, very blessed.
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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Businesses can't afford to react to what their customers want; they need to anticipate their needs.
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I can't tell you how lucky I feel to be able to collaborate with some of my dream producers.
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There's just a natural instinct to want to be great, I think.
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People are predominant in my paintings. Although they are not obvious, you can feel their presence.
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Fashion is not about clothes, it is about a look.
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And I guess I have a face and a look that sort of lends itself to period costume!
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Federal prosecutors want to indict Julian Assange for making public a great many classified documents.
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If you want to accomplish twice as much, you have to work twice as hard.
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It's so important to me to do the washing, do the Hoovering. I don't ever want to lose contact with that.
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I don't want to privatise part of the parliament, like some people in Russia.
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I like to look for patterns in science and life. It's what I do.
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I'm extremely particular how my look should be in a film.
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As long as I feel like I'm helping kids get better, I don't see why I should stop.
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We want the fans to discover and explore.
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To make our way, we must have firm resolve, persistence, tenacity. We must gear ourselves to work hard all the way. We can never let up.
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Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.
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I don't want to look sloppy, because then I feel sloppy.
