Karl Lagerfeld Quotes
I am a fashion person, and fashion is not only about clothes - it's about all kinds of change
Quotes to Explore
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I always tell women that the fact that you're different and that you're noticed, because there are few of us in the tech industry, is something you can leverage as an advantage.
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We are slaves to whatever we don't understand.
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It is impossible to divide the interest of a country and a company that works on its soil.
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Natural selection, as it has operated in human history, favors not only the clever but the murderous.
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We're pretty good at putting bunts down and really good at hitting. I know as a pitcher, when you face a pitcher you know can hit, that's not fun. I think taking pride in that, and being able to hit helps your own cause.
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When I was sixteen years old, I was sentenced to two years in prison; the Swedish government changed it, so I could go to a boarding school as part of a social programme. I was in this boarding school with some of the richest kids in Sweden.
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The first thing I look at is, 'Is the entrepreneur going after really big problems, to the extent that it feels scary when they talk about it?' You wonder if the idea is possible. I have seen that a lot of times, people go after small problems, and that's a sign that they are not confident.
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I didn't start working out until college. But in college I could feel my body changing, and I knew that if I didn't make some changes, I was going to go in the wrong direction.
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When it comes to power, God Himself is the power. God often uses foolish things to confound the wise. That is why people like me will ever be grateful to God. In terms of knowledge, education and name, I am nowhere - a neglected stone.
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How can something that's 95% water be so divisive? Alone among vegetables, the poor, innocent stick of celery elicits the most vicious attacks.
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My sister was always very motherly, babysitting and stuff.
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Mo'Nique is so full of love. I've been describing her as the tree in 'Pocahontas.' She's so wise and loving. She is just everything.
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Doing collections, doing fashion is like a non-stop dialogue.
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A famous person to themselves, they don't get up in the morning and think, I'm famous. I'm not famous to me. Famous is a perception.
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I'm going to find solutions wherever I can. I think it's all a priority. You can't just say, 'OK, I'm going to work on this but not that.' You have to work on all of it.
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I have always considered it as treason against the great republic of human nature, to make any man's virtues the means of deceiving him.
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I was a complete outsider in high school.
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We donate a lot of food to rescue organizations.
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We encourage our people to build their ideas from scratch, and we give them the resources - and, crucially, the candid feedback - that are required to transform the first wisps of a story into a truly compelling film.
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I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.
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I think we lost a great deal of sympathy and support with the way in which the crisis was handled, most importantly I think when we appeared to be grasping for too much at one time instead of identifying our priorities in a much more responsible fashion.
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Fashion is aristocratic-autocratic.
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I am a fashion person, and fashion is not only about clothes - it's about all kinds of change
