Katherine Shindle Quotes
I'm always having to check myself and make sure I'm not over singing in some ensemble thing that will render me unavailable for participation in the stuff where it really counts.
Quotes to Explore
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Gut feeling is all about the experiences that you have had in your life. It is about being in difficult scenarios, knowing what worked, what did not work, and then taking a decision.
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I think young people of all races are interested in justice; maybe not so much taxes and regulations, but they're interested in justice and the right to privacy on the Internet.
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For me to have the opportunity to stay with one character for, God willing, a long period of time, is really exciting.
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Hollywood panders to the 18-to-34 crowd. That demographic doesn't care about race and the package it comes in. They care about the hottest chick. They just like hot chicks.
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If you want to reach a goal, you must 'see the reaching' in your own mind before you actually arrive at your goal.
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People must not do things for fun. We are not here for fun. There is no reference to fun in any Act of Parliament.
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I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.
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This thing that I do with caring about the message in my music, it's not separate from my work as a commercial artist; they're totally one and the same. I'm always going to be thinking about what my voice means.
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Dignitary wounds cannot always be healed with the stroke of a pen.
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But when an old man dances,His locks with age are grey.But he's a child in mind.
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No hero in your tragedy,No daring in your escape,No salutes for your surrender,Nothing noble in your fate,Christ, what have you done? - The Pass (1989)
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I make pop music, but I do it on my own terms. I'll never play the game, so to speak, just for success. I'll always follow my heart and make the music I want to make.
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Growing up, I put a lot of pressure on myself. I felt with The Beatles legacy that there was pressure on me to do music, and while I always loved music and it was always around me at home, I thought about doing other things.
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I'm trying to build something where people will go every day.
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Oddly, I believe that emotional proximity we feel to close loved ones makes it hard to be honest with them about feelings of depression.
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I test the limits of myself in order to transform myself, but I also take the energy from the audience and transform it.
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I never mind doing press; it's never bothered me.
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'Genes, Girls, and Gamow' was an attempt, even more than 'The Double Helix,' to mix science with one's personal life. With 'The Double Helix,' no one had done it before, but I thought I'd try.
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When I decided to do 'The Celebrity Apprentice,' there was absolutely no question that I would play the game for GMHC.
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My parents were both writers - they would type their manuscripts sitting side by side on the veranda of our house near Watford - so I wanted to do something different. I wanted to be a bluegrass singer, an architect, a landscape gardener, or to do something with animals.
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I think that's what all art is for - for people to express what it is to be human. That's the purpose of it.
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The real political task in a society such as ours is to criticize the workings of institutions that appear to be both neutral and independent, to criticize and attack them in such a manner that the political violence that has always exercised itself obscurely through them will be unmasked, so that one can fight against them.
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The only real experience that counts, is your own.
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I'm always having to check myself and make sure I'm not over singing in some ensemble thing that will render me unavailable for participation in the stuff where it really counts.
