Kazuaki Tanahashi Quotes
We usually evaluate creative process in terms of how much feeling or thinking was behind the work or how well the work was done. Isn't there any other way of appreciating the process? What if the standard of excellence was how fully present the artist was during the process?
Quotes to Explore
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Here he tells us that the new birth is first of all 'not of blood'. You don't get it through the blood stream, through heredity. Your parents can give you much, but they cannot give you this.
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I'm a breakfast type of guy. Don't get me wrong. I can cook, I'm kinda nice on the burner, but I enjoy making breakfast. I do it all... Scrambled eggs... French toast... Pancakes... Breakfast is my thing.
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I really don't care if people know who I am or what's said about me.
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Vox populi vox dei: the voice of the people is the voice of God. The slogan was useful for those who first attempted to substitute the people for God as the source of political authority. Their attempt was ultimately so successful that God no longer seems to be needed in government.
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People want to help me. They want the best for me. I always say thank you to people when they try that. I never get mad.
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Sentimentality is the only sentiment that rubs you the wrong way.
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One time I got dressed in all black, Rambo-style, and took a massive pair of bolt-cutters and nicked a military bike.
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I'm quite intuitive about what I pick. Often it's to do with what I've just done and how I'm feeling.
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I'm not terribly confrontational, but I've gotten better at holding my ground.
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Creativity can be described as letting go of certainties.
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There's a logic today that places a greater value on celebrity the less it is accompanied by actual achievement. I don't think it's possible to touch people's imagination today by aesthetic means.
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I would rather live as a Muslim in the West than in most of the Muslim countries, because I think the way Muslims are allowed to live in the West is closer to the Muslim way.
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I mark the reading of 'Look Homeward, Angel' as one of the pivotal events of my life. It starts off with the single greatest, knock-your-socks-off first page I have ever come across in my careful reading of world literature.
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The fundamental defect of fathers, in our competitive society, is that they want their children to be a credit to them.
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I'm fulfilled in what I do... I never thought that a lot of money or fine clothes - the finer things of life - would make you happy. My concept of happiness is to be filled in a spiritual sense.
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Your problem is your role models were models.
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Think your own thoughts.
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Some coaches pray for wisdom. I pray for 260-pound tackles. They'll give me plenty of wisdom.
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Aline and I have travelled a very long, very hard road together, from our working class homes in rural Quebec to the palaces of London, Paris, Moscow, and Beijing. Politics was the route, public service the reward.
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I haven't purposefully set out to play heroes. I'm interested in playing the character who finds himself in extraordinary circumstances. But he's really either just saving himself or acting in the service of something that's important to him.
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It's an experience I'd like to add to the chorus, that these blue-collar, macho men, like my older brother, had the capacity to say: 'I don't care, I love you anyway.' There are young kids thinking: 'I'll never come out because it's too hard in our communities.' But I'm saying maybe your story can be similar to mine.
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We usually evaluate creative process in terms of how much feeling or thinking was behind the work or how well the work was done. Isn't there any other way of appreciating the process? What if the standard of excellence was how fully present the artist was during the process?
