Kazuo Koike Quotes
Quotes to Explore
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The natural world is often bleak, but the language devoted to it is as careful as needlepoint and prophetic as well.
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It's always been a desire of mine to work with my parents.
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I don't know if foreigners will take to my novels or not. It may be that my books appeal only to a particular gender or age group rather than convey a more universal appeal.
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Robots are good at things that are structured.
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I had been keeping an off eye on the advertising field, thinking I might become an idea man and a copywriter.
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Until part of your paycheck is regularly paid in Bitcoin, I'm not sure how it would really go mainstream. I can imagine places in the world where there are not functioning banking systems or payroll systems, where it could go mainstream first because you're not trying to replace the way people are already doing something.
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Architecture begins where engineering ends.
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A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.
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A horse is the projection of peoples' dreams about themselves - strong, powerful, beautiful - and it has the capability of giving us escape from our mundane existence.
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I make a living playing rock n' roll. I'm not going to complain about anything.
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I hope that what you take away from my album is not just the music - which I did want to be fun, and I did want it to be about individuality, but please also take away from it that there's no dream that's too big.
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It's up to the audience. It always has been.
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Stuxnet, a computer worm reportedly developed by the United States and Israel that destroyed Iranian nuclear centrifuges in attacks in 2009 and 2010, is often cited as the most dramatic use of a cyber weapon.
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With age, you get to a place where you don't want to knock people out. You just want to give people a hug.
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I was actually a Cowboys fan.
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If there is on earth a house with many mansions, it is the house of words.
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Charter schools have a far higher proportion of teachers who are not certified.
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Believe me, you can get into a lot of trouble being sixteen years old in a foreign country with no adult telling you when to come home.
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I was always writing the books that I wanted to write, books that demanded to be written at the time. But, like most writers, you start off feeling your way.
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I worked as a draftsman for the Department of Environmental Protection, and as a teacher, in N.Y.C.; at a big bank and a small ad agency, a tiny law firm and a few giant ones; as a cashier and a dishwasher; preparing deli sandwiches and stringing tennis racquets and pruning evergreens into conical Christmas-tree shapes.
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If you try to nail anything down, in the novel, either it kills the novel, or the novel gets up and walks away with the nail.
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Happiness is itself a kind of gratitude.
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My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.
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You must choose a road for yourself.
