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The job of the screenplay is to identify and extract the essence of the story from the novel and reconfigure it for the screen, maintaining its essence in a different vehicle.
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The most important guideline when it comes to argument is the golden rule. If someone were addressing your point, what tone, what overall approach would you find persuasive and want her to use? Whatever that is, do it yourself.
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When I think of a story, somehow it just always seems to come out involving spooks and spies and government skullduggery.
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Overall, one of the things that excites me most about self-publishing is that the highest-value use of my time in promoting the books will be found in writing more of them.
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I have a long-standing interest in what I like to think of as 'forbidden knowledge:' methods of unarmed killing, lock picking, breaking and entry, spy stuff, and other things that the government wants only a few select individuals to know.
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Action fiction is driven more by what than by who. Put that ticking nuclear suitcase under Manhattan, and it's relatively easy to create suspense. Literary fiction is driven more by who than by what.
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I want to position my books as premium-priced versions on the reasonably-priced scale, if that makes sense, to find a sweet spot between the high-end of what my brand can support and the low end that results in impulse purchases and maximum sales volume.
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The post office actually achieves its mission. I wish we could say the same of the CIA.
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I make a good living selling hardback books through paper publishers, and I have many friends in the industry who will suffer as it changes, so on a personal level, the transition to digital isn't something I welcome wholeheartedly.
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It would be awesome to be so impressive that we could sway people to our way of thinking just by declaiming our thoughts, but probably most of us lack such gravitas. Luckily, there's something even better: evidence, logic, and argument.
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I've loved thrillers and spy stories since I was a kid. It's probably not a bad rule of thumb to write the kinds of stories you love to read.
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Paper publishers are doing everything they can to slow the transition to eBooks because, in a digital world, paper publishers' high hardback margins essentially disappear.
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From the outside, the CIA seems pretty exotic, but from the inside, it's a big, bureaucratic place. Think 'post office with spies.'
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There's an awful lot of corruption in Japanese business and politics, corruption of the sort that can make for great setting for a spy story.