Daniel Negreanu Quotes
The majority of players are looking for reasons to fold. I am looking for reasons to play.
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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It took me a lot of years on the 'Burnett' show to feel like I had earned the privilege to play in the sandbox with the grown-ups.
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Oh my goodness me, Daniel Day-Lewis – huge, huge fan of his. I've always loved his philosophy on acting: he always talks about returning to a state of play.
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The debt we owe to the play of imagination is incalculable.
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When I was a lad in my 20s, as carefree and debonair as any other underpaid newspaperman, I happened to be a golfer who could flirt with par fairly often, and I was adventurous enough in those days to play any known or unknown thief who showed up at Goat Hills for whatever amount he fancied.
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I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
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I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
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I've always refused to play terrorists.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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I have never had the opportunity to play in England, so I know little about it.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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My whole career has been fulfilling my childhood fantasies, playing characters that are larger than life, getting to play a knight, an elf, a prince, and a soldier.
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I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.
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I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
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When you've done something, certainly if you create a piece of music, you then hear it with fresh ears when you play it for somebody else.
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They had a game plan against Kobe that was effective, getting the ball out of his hands.
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One of the biggest things I've done is learn how to love myself, flaws and all. Even the things I don't like about myself, I accept. People have made fun of me and made me self-conscious about talking so softly, for example, but I accept that as who I am and I'm not changing it for anybody. I'm at peace with who I am now, and once you've achieved that, all the other stuff disappears.
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I believe in women, especially thinking women.
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The majority of players are looking for reasons to fold. I am looking for reasons to play.
