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I think there is an element of magic in photography - light, chemistry, precious metals - a certain alchemy. You can wield a camera like a magic wand almost. Murmur the right words and you can conjure up proof of a dream. I believe in wonder. I look for it in my life every day; I find it in the most ordinary things.
Keith Carter -
I like what Wallace Stevens said: "Poetry must almost successfully resist intelligence." I just change the word "poetry" to "my photographs".
Keith Carter
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I don't just look at the thing itself or at the reality itself; I look around the edges for those little askew moments-kind of like what makes up our lives-those slightly awkward, lovely moments.
Keith Carter -
When I started using the extreme short depth of field and single point of focus, I was trying to replicate my changing eyesight. We have binocular vision; one eye perceives space from the other. I don't experience a scene visually at F32. It's more like F1.4.
Keith Carter -
I like small things, I like small moments that are almost elliptical, that are not necessarily linear; they're natural things that happen in the world, but if you look at them from a slight angle there's more than meets the eye.
Keith Carter -
The raw materials of photography are light and time and memory.
Keith Carter -
How do you find a way to say what an extraordinary experience it is to be alive in this world? That is the kind of subject matter I try to work with.
Keith Carter -
The full weight and mystery of your art rests upon your relationship to your subject matter.
Keith Carter
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Making these photographs has often seemed to me like a kind of dance. Often I have danced badly and the world has fallen apart at my feet. But sometimes the dance has gone well and my subject and I have moved together as if with shared purpose.
Keith Carter -
I'm fond of implied narratives, oblique angles, and leaving a little room for the viewer to finish a picture.
Keith Carter